Halt and Catch Fire

7.9
2014

During the rise of the PC era in the early 1980s, an unlikely trio - a visionary, an engineer and a prodigy - take personal and professional risks in the race to build a computer that will change the world as they know it.

Production

Logo for AMC Studios

Trailers & Videos

Thumbnail for video: Season 1 Trailer

Season 1 Trailer

Thumbnail for video: Opening Credits

Opening Credits

Thumbnail for video: Rise of the Digital Cowboys

Rise of the Digital Cowboys

Thumbnail for video: Cameron Howe: The Characters of Halt and Catch Fire

Cameron Howe: The Characters of Halt and Catch Fire

Thumbnail for video: Gordon Clark: The Characters of Halt and Catch Fire

Gordon Clark: The Characters of Halt and Catch Fire

Thumbnail for video: Joe MacMillan: The Characters of Halt and Catch Fire

Joe MacMillan: The Characters of Halt and Catch Fire

Thumbnail for video: Donna Clark: The Characters of Halt and Catch Fire

Donna Clark: The Characters of Halt and Catch Fire

Thumbnail for video: Re-Making the '80s

Re-Making the '80s

Thumbnail for video: A Look at the Series

A Look at the Series

Seasons

10 Episodes • Premiered 2014

In 1983, personal computing was anyone's game. Navigating the thin line between visionary and fraud, genius and delusion, an unlikely trio - a visionary, an engineer, and a prodigy - take personal and professional risks in the race to build a computer that will change the world as they know it. The battle for CTRL begins.

Still image for Halt and Catch Fire season 1 episode 1: I/O

1. I/O

7.4

The Texan company Cardiff Electronics gets a new employee from New York. He's apparently working for IBM, but after the he gets the new job it gets clear that he has a hidden agenda, and is not exactly what he claims to be.

Still image for Halt and Catch Fire season 1 episode 2: FUD

2. FUD

7.7

After surviving a visit from IBM, Joe's team must overcome internal differences and begin the technical feat of building the new machine.

Still image for Halt and Catch Fire season 1 episode 3: High Plains Hardware

3. High Plains Hardware

6.7

Gordon and Cameron struggle to make Joe's vision a reality; Joe and Bosworth seek the funds to make the new machine.

Still image for Halt and Catch Fire season 1 episode 4: Close to the Metal

4. Close to the Metal

7.8

As Cameron nears completion of the BIOS, a crisis threatens the project's future and requires all hands on deck to save the machine.

Still image for Halt and Catch Fire season 1 episode 5: Adventure

5. Adventure

7.7

Cameron bristles under a new manager as Joe and Gordon attempt to procure a key piece of new technology for the computer.

Still image for Halt and Catch Fire season 1 episode 6: Landfall

6. Landfall

6.7

A breakthrough by Cameron places her at odds with Gordon, leaving Joe to make a tough decision. Meanwhile, Hurricane Alicia spurs some personal revelations.

Still image for Halt and Catch Fire season 1 episode 7: Giant

7. Giant

7.8

A visitor from Joe's past threatens his newfound connection with Cameron. Meanwhile, with Donna out of town, the toll of Gordon's work catches up with him.

Still image for Halt and Catch Fire season 1 episode 8: The 214s

8. The 214s

8.7

Scandal hits Cardiff Electric as the team finalizes preparations for COMDEX. Meanwhile, Bosworth makes a sacrifice for the good of the PC program.

Still image for Halt and Catch Fire season 1 episode 9: Up Helly Aa

9. Up Helly Aa

8.9

Unforeseen opponents and new complications threaten to derail the Cardiff Electric team's work at COMDEX.

Still image for Halt and Catch Fire season 1 episode 10: 1984

10. 1984

8.1

Gordon and Joe prepare to transport the Giant. A suspicious defect causes a rift in the partnership.

Cast

Photo of Lee Pace

Lee Pace

Joe MacMillan

Photo of Scoot McNairy

Scoot McNairy

Gordon Clark

Photo of Mackenzie Davis

Mackenzie Davis

Cameron Howe

Photo of Kerry Bishé

Kerry Bishé

Donna Clark

Photo of Toby Huss

Toby Huss

John 'Bos' Bosworth

More Like This

Reviews

S

Benedict

8/10

**Perhaps the best show on television.**

I found myself a new favourite among TV series. Exceedingly strong performances from the whole cast, a gripping, dynamic plot, and script and direction that will have you laughing aloud before hunkering at the edge of your seat.

As TV goes, I honestly don’t think it gets much better than this. The character of Joe MacMillan is just unrivalled in complexity and depth. Lee Pace is beyond magnetic in the role, he’s electric, and the writers recognise that and use it beautifully. The storylines are broad, sweeping and powerful, skipping triviality in favour of weighty topics that shaped the computing world and the world we live today. The casting is spot on, the acting stupendous.

I only hope that AMC top brass realise that this is shaping into one of the best TV series to have graced our screens. Watch it; laugh, weep and fist pump. This is one of a kind.

C

CarsonTrent

10/10

An interpretation of the ending + the meaning of the series as a whole * * * SPOILERS AHEAD * * *

It was about Joe all along. Profound conclusion to a transcendental experience 10*++

At first glance this series seems to be about the world of tech. It takes place during an exciting time in the evolution of this field and it gives us a glimpse into the background of that era, even if it is a fictitious account. But this is in fact the story and evolution of Joe McMillan. The force of nature which stirs the lives of everyone he touches. His immense will power is going to move all the main characters from their trajectory and into his orbit. (He also has a secret which he initially doesn't know himself, and none of the others really understand either. He's a man who grows by every step and doesn't go back but only forward).

We meet Joe as a man with a controversial and mysterious past who chases after the future. At the beginning of the series he is the embodiment of the American "can do" attitude. He first gives Gordon the motivation to outdo himself. He hijacks a whole company to face IBM head on. Then he recruits the aimless whizz kid Cameron. All with the goal to create the greatest portable computer ever built. Bosworth and Donna are collateral damage, but end up orbiting Joe nonetheless.

After the completion of the Giant computer Joe takes off unsatisfied leaving Gordon behind. Joe feels he had compromised too much for a mediocre result and also cannot entertain the thought of sharing leadership of the company. In addition due to his actions he can't profit financially from this experience. His fiancee also leaves him around this time. Joe needs to pause and reflect. He still feels the hunger. After Cameron's virus sabotage of his server endeavor, he builds a rotten empire on the stolen anti-virus idea from Gordon and becomes famous. The embodiment of the American dream.

He is however trapped in a golden cage of servitude and guilt. He understands this and frees himself by giving it all to Gordon. By that he redeems himself. Then he goes on to build a server hosting company with Gordon, moving him once more from his trajectory. The ones close to Joe still don't fully trust him, but he is changing. The company goes well but he has a bigger dream. He wants to create. Cameron had always called him a parasite (Joe also listens and learns). So he goes and creates a browser with the help of Haley. They name it (Haley's) Comet. Donna on the other hand steals his idea this time and goes on to achieve her rotten fortune and fame by copying the browser idea.

At the same time Gordon needs to slow down. Facing his mortality makes him wiser. He doesn't need to chase after the future but only to enjoy the moment. But this is end of life wisdom. Not attained wisdom. He feels alone watching all the others around him chasing after some personal goal. Chasing illusions.

Joe on the other hand also starts building his personal life. His way of presenting himself has evolved. He is kind and helpful in speech and action. He builds a relationship with Cameron. With Gordon's girls, especially Haley. And with Gordon who becomes a close friend. He then wishes to have a family of his own. Cameron opposes him, as is her volatile nature and he realizes having kids with her isn't in the cards.

After Gordon's death and the end of the Comet he has a momentary crisis of faith and goes to see a fortune-teller to see what the future holds for him, but he eventually achieves transcendent insight. There is a scene at the end in his office showing his material achievements and the pictures of all his friends. They are dear reminders of his path. But between them lies a hint. A Buddha statuette. Joe finally understands that there is no thing to be had by way of a thing. The whole THING is to live in the NOW. To stop chasing after the future. After the next great thing. Also to resist inertia in life and career which will drag you along without even realizing it, sometimes (important distinction: we are NOT our careers and they should ideally be significant in the process of our personal growth). It turns out that it was Joe who was halting and catching fire all along. So he quits the rat race, returns to his home town and becomes a humanities teacher (self-less action). What could be a nobler occupation? And further from the hectic world of capitalistic tech. He had gone into the World and played the social game. He had traveled many roads. Imposed his will upon the World (aggressive self-centered action). Cheated (bad action). He had won and lost and won again (samsara = going round towards obtaining, perpetuated by desire), and in the process he had obtained the one thing impossible to teach: wisdom (nirvana = liberation from cravings/ dukkha). Hence he could move forward. Forward not in the career sense, but in the personal journey sense. This shows the very deep transformation of Joe which is only fully graspable by the viewer at the very end of the series in that last scene.

While Joe achieves all this and goes thru such a profound positive transformation, he also leaves the two girls behind. Aimless. They subsequently decide to go back instead of forward. Cameron hesitates and lacks direction as she always did (the fall in Donna's pool is a manifestation of her unconscious act of submission and recognition of Donna's Alpha status in their relationship. Donna is fully aware of this. This is a masterful depiction of primal non-verbal communication). Donna on the other hand is trying to redeem and recapture what she has lost by her own hubris. Without Joe she also loses true North on her compass, as she had been entangled with him in the competition with the Comet browser for a long time. So the two girls give into a lukewarm complacent revival of the past and start working together once more. They remain trapped in the illusion. Maya. (there is a scene where Donna is also given a glimpse into Buddhist view by her daughter Joanie which is traveling in Thailand, but alas she is not ready to follow the signs). Bosworth is a good friend for the most part, but for the complete duration of the stir is out of his element and gets his peace only after retiring.

The world of tech only serves as a pretext, here. It could be replaced with any other social background or time period (although computers and technology in general are great examples of things we think might take us somewhere. But do they, fundamentally?). The essence of the story is about the view going into life and what one can get out of it according to each of our level of understanding. Joe changes his view of the meaning of life. He transcends his Ego. That's why at the end he is asking the class the same question he was asking his colleagues at the beginning of his journey. "So, let me ask you a question? Where do you want to go ?" That question has a much deeper meaning than it seems. It took Joe more than a decade to answer it.

This is a very powerful ending to the series and to the character arc of what has become one of my favorite characters ever portrayed and an impressive study of positive personal change: the path on the Middle Way of Joe McMillan. Also a reminder that some people are just temporary travel companions, and must be left behind as they don't share the same trajectory or capacity to attain other levels of understanding.

"Should a seeker not find a companion who is better or equal, let them resolutely pursue a solitary course." The Buddha

You've reached the end.