The King of Kings

Supreme in Theme! Gigantic in Execution!

6.4
19272h 35m

The King of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927, working with one of the biggest budgets in Hollywood history, DeMille spun the life and Passion of Christ into a silent-era blockbuster. Featuring text drawn directly from the Bible, a cast of thousands, and the great showman’s singular cinematic bag of tricks, The King of Kings is at once spectacular and deeply reverent—part Gospel, part Technicolor epic.

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Trailers & Videos

Thumbnail for video: The King of Kings - 1927 Film Trailer

The King of Kings - 1927 Film Trailer

Cast

Photo of H.B. Warner

H.B. Warner

Jesus, The Christ

Photo of Dorothy Cumming

Dorothy Cumming

Mary, the Mother

Photo of Joseph Schildkraut

Joseph Schildkraut

Judas Iscariot

Photo of James Neill

James Neill

James - Brother of John

Photo of Joseph Striker

Joseph Striker

John - the Beloved

Photo of Robert Edeson

Robert Edeson

Matthew - the Publican

Photo of Sidney D'Albrook

Sidney D'Albrook

Thomas, the Doubter

Photo of Jacqueline Logan

Jacqueline Logan

Mary Magdalene

Photo of Victor Varconi

Victor Varconi

Pontius Pilate - Governor of Judea

Photo of Montagu Love

Montagu Love

Roman Centurion

Photo of William Boyd

William Boyd

Simon Of Cyrene

Photo of May Robson

May Robson

Mother of Gestas

Photo of Sidney Franklin

Sidney Franklin

(uncredited)

Photo of John George

John George

(uncredited)

Photo of Rex Ingram

Rex Ingram

(uncredited)

Photo of Ayn Rand

Ayn Rand

(uncredited)

Photo of Sally Rand

Sally Rand

Mary Magdalene's Slave (uncredited)

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Reviews

G

CinemaSerf

7/10

As biblical epics go, this is probably the best in my book. Cecil B. de Mille has crafted a masterpiece of silent cinema depicting the tale of the Christ from the beginnings of his journey until the resurrection. Using partly scripted and actual verses from the bible, the intertitles are expertly spaced to offer support to the dialogue when required, but largely we are left to follow the story with the grand scale imagery doing the talking for it. The detail is meticulous - costumes, sets etc, as you would expect - but the use of light and shade, particularly at the end, is magnificent. The characterisations from HB Warner as Jesus; Joseph Schildkraut (Judas) and Jacqueline Logan as the courtesan Mary Magdalene, replete with zebra-driven chariot all contribute to a rich, extensive, cast whose facial expressions carry far more weight than any words might do. Long? Well it's not, actually - the enterprise flies by (I saw it beautifully accompanied by the Sosin 2004 score) and if you've any interest in the history of cinema (or Christianity) then this is a must watch.

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