The Go-Between

In those days, you fell in love with your own class. Or found a Go-Between.

6.8
19711h 56m

British teenager Leo Colston spends a summer in the countryside, where he develops a crush on the beautiful young aristocrat Marian. Eager to impress her, Leo becomes the "go-between" for Marian, delivering secret romantic letters to Ted Burgess, a handsome neighboring farmer.

Production

Logo for EMI Films

Trailers & Videos

Thumbnail for video: The Go-Between (1971) Original Trailer [HD]

The Go-Between (1971) Original Trailer [HD]

Cast

Photo of Julie Christie

Julie Christie

Lady Marian Trimingham

Photo of Alan Bates

Alan Bates

Ted Burgess

Photo of Edward Fox

Edward Fox

Hugh Trimingham

Photo of Michael Redgrave

Michael Redgrave

The Older Leo Colston

Photo of Dominic Guard

Dominic Guard

The Young Leo Colston

Photo of Margaret Leighton

Margaret Leighton

Mrs Maudsley

Photo of Michael Gough

Michael Gough

Mr Maudsley

Photo of Richard Gibson

Richard Gibson

Marcus Maudsley

Photo of Jim Broadbent

Jim Broadbent

Spectator at Cricket Match (uncredited)

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Reviews

G

CinemaSerf

6/10

Sadly, time has not been very kind to the potency of this film. In 2020s society, the overwhelming feeling of "so what?" is hard to shake off; despite some really strong performances. Dominic Guard is "Leo", just 13 when he is invited to summer at the Norfolk country home of one of his classmates. He quickly befriends his older sister "Marian" (Julie Christie) and is soon acting - innocently, at first - as her courier passing ostensibly harmless letters between herself, her fiancée "Hugh" (Edward Fox) and a swarthy tenant farmer "Ted" (Alan Bates). Guard is great as the young man who starts to put two and two together as he slowly gets caught up in this menage-à-trois whilst trying to accommodate his own sexual awakening. His own naive inquisitiveness gives his character an engaging and frustrating quality that we might all have related to, once upon a time. Losey's pace is off, though - it can be quite a slow burn at times and, unusually, I found the score from Michel Legrand quite distractingly repetitive. The cinematography showed off the locale to perfection and the dialogue from LP Hartley via Harold Pinter succinctly demonstrates class distinction and prejudice well.

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