The Producers
Hollywood Never Faced a Zanier Zero Hour!
A conniving Broadway producer and his meek accountant plan to profit from charming wealthy old biddies to invest in an overbudget production, and then put on a sure-fire disaster, so nobody will ask for their money back — and what's more disastrous than a tasteless musical celebrating Adolf Hitler.
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Trailers & Videos

THE PRODUCERS - Newly restored in 4K - Dir. by Mel Brooks and starring Gene Wilder

The Producers (1967) Official Trailer

The Producers ≣ 1967 ≣ Trailer

"The Producers" (1967 - Mel Brooks)

The Producers (1968) trailer
Cast

Zero Mostel
Max Bialystock

Gene Wilder
Leo Bloom

Dick Shawn
Lorenzo St. DuBois (L.S.D.)

Kenneth Mars
Franz Liebkind

Estelle Winwood
"Hold Me Touch Me"

Christopher Hewett
Roger De Bris

Andréas Voutsinas
Carmen Ghia

Lee Meredith
Ulla

Renée Taylor
Eva Braun

Michael Davis
Production Tenor

Frank Campanella
The Bartender

Barney Martin
Göring

Tucker Smith
Lead Dancer

Josip Elic
Violinist

Shimen Ruskin
The Landlord

William Hickey
The Drunk

Mel Brooks
Singer in "Springtime for Hitler" (voice) (uncredited)

Bill Macy
Jury Foreman (uncredited)

Linda Gillen
Sax Player (uncredited)

Robert Paget
Auditioning Hitler (uncredited)
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Reviews
Jeff_34
**Greatest of all Time - GOAT - Best comedies.**
Easily my number one.
This film can be rewatched over and over again - always just as hilarious and timeless.
adorablepanic
THE PRODUCERS (1967) - Mel Brooks' first feature film starts with the funniest opening credits sequence I've ever seen - a monetarily motivated rendezvous between a serial Broadway failure and a sexually insatiable octogenarian - and then proceeds to get even more hilarious as it progresses. The fabulous Zero Mostel somehow manages to chew scenery for breakfast, lunch and dinner while never overshadowing any of the other players (whose performances are all also appropriately broad, to be honest). Interestingly, were it not for a little known film by the name of THE GRADUATE (1967) casting while this film was going into production, we would have had Dustin Hoffman as the starry-eyed Nazi playwright. So Dustin went on to fame in another picture; Kenneth Mars ended up with a juicy role in just his second feature film; and Mel got to skewer the Third Reich and win an Academy Award for writing while doing it. Sometimes things just work out.
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