Madness of the Heart

5.9
19491h 31m

A blind Englishwoman weds a French nobleman and moves into his family's chateau, but she quickly realizes someone there wants her out of the way.

Cast

Photo of Paul Dupuis

Paul Dupuis

Paul de Vandiere

Photo of Kathleen Byron

Kathleen Byron

Verite Faimont

Photo of Maxwell Reed

Maxwell Reed

Joseph Rondolet

Photo of Raymond Lovell

Raymond Lovell

Paul's Father

Photo of Marie Burke

Marie Burke

Paul's Mother

Photo of Maurice Denham

Maurice Denham

Dr. Simon Blake

Photo of Cathleen Nesbitt

Cathleen Nesbitt

Mother Superior

Photo of Peter Illing

Peter Illing

Dr. Matthieu

Photo of Kynaston Reeves

Kynaston Reeves

Sir Robert Hammond

Photo of Marcel Poncin

Marcel Poncin

Frenchman

Photo of Patricia Cutts

Patricia Cutts

Girl at Bookstall

Photo of Sam Kydd

Sam Kydd

Soldier at Airport

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Reviews

G

CinemaSerf

6/10

Margaret Lockwood is quite compelling as "Lydia" in this tense mystery of a woman who encounters a French gent "Paul" (Paul Dupuis), romance ensues and they fall in love. Throughout their courtship, though, she suffers from increasingly worrying dizzy spells that a doctor confirms will lead to blindness. Horrified, she flees from her beau and takes up in an abbey where she considers holy orders. Luckily, the abbess insists she rejoin the world and she rekindles her romance with the Frenchman, they marry and retreat to his father's chateau. Initially welcome, she soon senses that someone is out to get her, and as the plot slowly develops we are drawn into quite a sinister web that has no shortage of potential perpetrators. Chief amongst them is their neighbour "Verity" (the excellent Kathleen Byron) who has designs on the husband. Finding her life unbearable, she, and her maid "Rosa" (Thora Hird) return to her old life were she encounters another surgeon who thinks he can fix her sight... It's at this point that the story takes a bit of downturn. Up til now, the tension had increased consistently with Byron and Lockwood squaring up nicely, but the ending is just too fanciful (although it does contain the best scene in the film). The men folks contribute little, too - Maxwell Reed is pretty hopeless and Dupuis pretty flat as her husband. Still, it sustains the mystery well enough for the most part and Lockwood is on good form.

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