The Private Affairs of Bel Ami

All women take to men who have the appearance of wickedness

6.1
19471h 52m

A self-serving journalist uses influential women in late-1800s Paris and denies the one who truly loves him.

Production

Logo for United Artists

Cast

Photo of George Sanders

George Sanders

Georges Duroy

Photo of Angela Lansbury

Angela Lansbury

Clotilde de Marelle

Photo of Ann Dvorak

Ann Dvorak

Madeleine Forestier

Photo of John Carradine

John Carradine

Charles Forestier

Photo of Susan Douglas

Susan Douglas

Suzanne Walter

Photo of Hugo Haas

Hugo Haas

Monsieur Walter

Photo of Warren William

Warren William

Laroche-Mathieu

Photo of Frances Dee

Frances Dee

Marie de Varenne

Photo of Albert Bassermann

Albert Bassermann

Jacques Rival

Photo of Marie Wilson

Marie Wilson

Rachel Michot

Photo of Katherine Emery

Katherine Emery

Madame Walter

Photo of Richard Fraser

Richard Fraser

Philippe de Cantel

More Like This

Reviews

G

CinemaSerf

7/10

George Sanders was always great as the cad, and rarely better than here. He is the seriously ambitious "Duroy" who decides that he can use woman as stepping stones to social acceptability. He's broke and jobless, but luckily encounters his war-time buddy "Forestiere" (John Carradine) who gets him job at a newspaper. Networking opportunities beckon. Initially, it's bar-fly "Rachel" (Rachel Wilson) who keeps him entertained, then he alights on the slightly more sophisticated "Clotilde" (Angela Lansbury) whom he has a genuine soft spot for, but she isn't going to get him anywhere near far enough up the greasy pole. For that he needs "Madeleine" (Ann Dvorak) and she not only opens an whole new social world, one that gets his mind set on a bit of malevolent manipulation and you just know that sooner or later his chickens are going to come home to roost. His unstinting ability too think only of himself is really quite entertainingly nauseous and somehow Sanders manages to encapsulate that selfishness and venality really quite smug and chillingly. There's the odd splash of colour in here, too, and with the ladies delivering strongly throughout - especially Lansbury but also Wilson too, this is a smartly written observation of dastardly deeds.

You've reached the end.