The Man from Galveston
The man who brought law and order to the Lone Star State
Circuit-riding Texas lawyer Timothy Higgins defends a former girlfriend against a murder charge stemming from an extortionist's threat to reveal her shady past. Through adroit courtroom work, Higgins is able to acquit her and reveal who actually shot the fatal bullet.
Cast

Jeffrey Hunter
Timothy Higgins

Preston Foster
Judge Homer Black

James Coburn
Boyd Palmer

Joanna Moore
Rita Dillard

Edward Andrews
Hyde

Kevin Hagen
John Dillard

Martin West
Stonewall Grey

Ed Nelson
Cole Marteen

Karl Swenson
Sheriff

Grace Lee Whitney
Texas Rose

Claude Stroud
Harvey Sprager

Sherwood Price
George Taggart

Arthur Malet
Barney

Marjorie Bennett
Mrs. Warren

Chuck Hicks
US Marshal Chuck (uncredited)

William Fawcett
Tatum (uncredited)

Charles Morton
Bartender (uncredited)

Orville Sherman
Ted Dooley (uncredited)

Jeffrey Sayre
Hotel Guest (uncredited)

Noble 'Kid' Chissell
Townsman (uncredited)
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Reviews
John Chard
The Soiled Dove Plea.
The Man from Galveston is directed by William Conrad and co-written by Dean Riesner and Michael Zagor. It stars Jeffrey Hunter, Preston Foster, James Coburn and Joanna Moore. Music is by David Buttolph and cinematography by Bert Glennon.
Originally shot as the pilot for the TV series Temple Houston, this was ushered out onto the big screen as a double billing entity. What we get is a very competent piece of film making, if ultimately it never ignites into being something remotely thrilling.
Set at the time of the circuit courts in 1800s Texas, it sees Hunter playing Timothy Higgins (Temple Lea Houston in reality). A cunningly bold lawyer who is not without the compunction to use his firearm should the need arise. Herein is the problem as such, the pic doesn't reach out to the gun play angle for entertaining purpose, instead it settles for sedate character play, propped up by the legal by-play as Higgins cements his standing as a man who is at the top of his craft.
Studio bound but boosted by Glennon's crisp photography, as a production it's hard to find fault with, this is certainly no dud. But it sits firmly in the time waster department, not really grabbing the iron out of the fire to give a firecracker telling of the fascinating Temple Houston. But with that comes a major bonus, in that it begs you to read up on the real life Temple Houston (son of Sam Houston), well worth digging into, especially the outstanding Soiled Dove Plea of which this play is formed around. 5/10
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