The Long, Hot Summer

The people of Faulkner...the language of Faulkner...the world of Faulkner!

7.1
19581h 55m

Accused barn burner and conman Ben Quick arrives in a small Mississippi town and quickly ingratiates himself with its richest family, the Varners.

Production

Logo for 20th Century Fox

Trailers & Videos

Thumbnail for video: The Long, Hot Summer (1958) | Official Trailer

The Long, Hot Summer (1958) | Official Trailer

Cast

Photo of Paul Newman

Paul Newman

Ben Quick

Photo of Joanne Woodward

Joanne Woodward

Clara Varner

Photo of Orson Welles

Orson Welles

Will Varner

Photo of Lee Remick

Lee Remick

Eula Varner

Photo of Angela Lansbury

Angela Lansbury

Minnie Littlejohn

Photo of Richard Anderson

Richard Anderson

Alan Stewart

Photo of Sarah Marshall

Sarah Marshall

Agnes Stewart

Photo of Mabel Albertson

Mabel Albertson

Elizabeth Stewart

Photo of Robert Adler

Robert Adler

Ambulance Driver (uncredited)

Photo of Val Avery

Val Avery

Wilk (uncredited)

Photo of Brian Corcoran

Brian Corcoran

Harry Peabody (uncredited)

Photo of Byron Foulger

Byron Foulger

Harris (uncredited)

Photo of I. Stanford Jolley

I. Stanford Jolley

Houston (uncredited)

Photo of Arthur Tovey

Arthur Tovey

Man at Auction (uncredited)

Photo of Helen Wallace

Helen Wallace

Minor Role (uncredited)

More Like This

Reviews

G

CinemaSerf

7/10

This reminded me a little of "Cat on a Hot Tin Roof" (1954) with Paul Newman playing the roguish "Quick" who arrives in a small town, dominated by the "Varner" family and quickly tries to ingratiate himself into their wealthy ways. They, indeed the whole town, are dominated by the patriarchal "Will" (Orson Welles) who seems determined that his daughter "Clara" (Joanne Woodward) will marry local dullard "Stewart" (Richard Anderson). She, on the other hand, takes an instant shine to the newcomer and when brother, and general loafer, "Jody" (Anthony Franciosa) starts to feel a little threatened by this man who is seemingly of much more interest to his father than he is, things start to become a little tense around the place - to say the least. It's a small point, but the audio from Welles isn't the best and sometimes its quite difficult to make out what he's saying, but as the family dynamic becomes more strained and the backstory fills in a tale of a group of people for whom it's really only money that has become the thing that matters now - we end up with a characterful study of avarice and ambition tempered with some dark humour and an increasingly engaging effort from Welles and a smouldering - if maybe a little too predictable - chemistry from Woodward and Newman. It can be a bit wordy at times, but Martin Ritt keeps the pace even and taut as these folks evolve before us. It's not as intense as it might be, but it's still an easy two hours looking at the less salubrious side of human nature.

You've reached the end.