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The Lady from Shanghai (1947) Original Trailer [FHD]

THE LADY FROM SHANGHAI - Trailer
Cast

Rita Hayworth
Elsa Bannister

Orson Welles
Michael O'Hara

Everett Sloane
Arthur Bannister

Glenn Anders
George Grisby

Ted de Corsia
Sidney Broome

Erskine Sanford
Judge

Louis Merrill
Jake Bjornsen

Evelyn Ellis
Bessie

Harry Shannon
Cab Driver

William Alland
Reporter (uncredited)

Jessie Arnold
Schoolteacher at Aquarium / Courtroom Spectator (uncredited)

Wong Chung
Li (uncredited)

John Elliott
Court Clerk (uncredited)

Theresa Harris
Courtroom Spectator (uncredited)

Maynard Holmes
Truck Driver (uncredited)

Milton Kibbee
Policeman (uncredited)

Grace Lem
Chinese Woman (uncredited)

Charles Meakin
Jury Foreman (uncredited)

Mary Newton
Reporter (uncredited)

Edward Peil Sr.
Guard (uncredited)
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Reviews
CinemaSerf
This is another film where the two top-billed - Rita Hayworth ("Elsa") and Orson Welles ("Michael") are outshone by a strong supporting effort. This time, that comes from Everett Sloane. Here, he is renowned barrister "Bannister" who needs crutches to walk and is married to the restless "Elsa". She was taking a cab through the park one night when accosted by robbers. "Michael" was passing and came to the rescue. Next thing "Bannister" is asking him to come work on their luxury yacht. Clearly, he is attracted to the wife and soon a rather complex game is afoot - but who is playing whom? Meantime, "Grisby" *Glenn Anders) - the partner of "Bannister" in their law firm tries to embroil "Michael" in a rather cunning wheeze to create a corpse-less crime enabling him to flee his overbearing wife and claim some insurance money. It isn't long before the corpses do start to pile up and "Michael" is front and centre in the courtroom defended by "Bannister" for murder. Who actually did the killing, though? The film is very much at it's best with a strong performance from Hayworth, Welles and Sloane all playing against each other. I found the parallel plot to all be just a bit far-fetched. The ending is cracking, though - and though perhaps I felt there was a little injustice in it, it works really well. The production looks great, Hayworth dons her sailor's cap with panache and though a bit lumbering, Welles gels quite well with her as we progress. Good film, this.
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