The L-Shaped Room

Sex is not a forbidden word

6.8
19622h 6m

Jane is young, French, pregnant and unmarried. Bucking convention, she is uninterested in settling with her baby's father or getting an abortion. After renting a room in a dingy London boarding house, Jane befriends the odd group of inhabitants and starts an affair with one boarder, Toby. As Jane's pregnancy threatens her new relationship, and the reality of single motherhood approaches, she is forced to decide what to do about both her baby and her budding romance.

Trailers & Videos

Thumbnail for video: Leslie Caron on The L-Shaped Room  | BFI

Leslie Caron on The L-Shaped Room | BFI

Cast

Photo of Leslie Caron

Leslie Caron

Jane Fosset

Photo of Anthony Booth

Anthony Booth

Youth in Street

Photo of Harry Locke

Harry Locke

Newsagent

Photo of Ellen Dryden

Ellen Dryden

Girl in Newsagent's

Photo of Emlyn Williams

Emlyn Williams

Dr. Weaver

Photo of Joan Ingram

Joan Ingram

Woman in Park

Photo of Gerald Sim

Gerald Sim

Doctor in Hospital

Photo of Nanette Newman

Nanette Newman

Girl at End

Photo of Kay Walsh

Kay Walsh

Prostitute (uncredited)

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Reviews

G

CinemaSerf

7/10

Leslie Caron is really good in this rather quirky tale of a French lass who, pregnant, takes up residence in a pretty grotty London boarding house. Initially wary of the other "guests", "Jane" befriends aspiring writer"Toby" (Tom Bell) and the film depicts her lively relationship with him and her assimilation into this curious group of individuals whom she gradually begins to get used to. There are two things that help this stand out. The photography - it is intimate and very effective; and the use of the Brahms Piano Concerto which is as effective as any of the, frequently potent, dialogue. Caron is in her element here, her performance is confident and engaging. Tom Bell contributes strongly, as do Avis Bunnage and Patricia Phoenix, and there is something quite uplifting about Bryan Forbes' take on this outwardly rather depressing tale of solitude and abandonment. It sags just a bit in the middle with perhaps a more judicious pruning of the character establishment in order at the start, but it does hold the attention well for two hours and deals with adult topics in a remarkably - for the time - frank and plausible fashion.

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