The Hound of the Baskervilles

Holmes and Watson's most chilling case... an age-old curse... a ravenous monster...

6.6
19831h 40m

When a nobleman is threatened by a family curse on his newly inherited estate, detective Sherlock Holmes is hired to investigate.

Available For Free On

Logo for Hoopla
Logo for Fawesome

Cast

Photo of Ian Richardson

Ian Richardson

Sherlock Holmes

Photo of Donald Churchill

Donald Churchill

Dr. John Watson

Photo of Denholm Elliott

Denholm Elliott

Dr. Mortimer

Photo of Glynis Barber

Glynis Barber

Beryl Stapleton

Photo of Brian Blessed

Brian Blessed

Geoffrey Lyons

Photo of Eleanor Bron

Eleanor Bron

Mrs. Barrymore

Photo of Edward Judd

Edward Judd

Barrymore

Photo of Ronald Lacey

Ronald Lacey

Inspector Lestrade

Photo of Martin Shaw

Martin Shaw

Sir Henry Baskerville

Photo of Connie Booth

Connie Booth

Laura Lyons

Photo of Nicholas Clay

Nicholas Clay

Jack Stapleton

More Like This

Reviews

G

CinemaSerf

6/10

Ian Richardson delivers quite engagingly here as Sir Arthur Conan Doyle’s fastidious detective “Sherlock Holmes” but I didn’t get so much from Donald Churchill’s contributions as his crucial sidekick “Dr. Watson” in this adapted for television movie. They are intrigued by the mysterious death of an aristocrat at his country home on remote Dartmoor and so descend on the place, at the invitation of “Dr. Mortimer” (Denholm Elliott) and with the new lord of the manor “Sir Henry” (Martin Shaw) to try and ascertain whether there is any truth to local rumours of a legendary hound tormenting the ancestors of the “Baskerville” family. Amidst the dense fog and with a quagmire lurking underfoot eagerly awaiting one false step, it’s a dangerous place to be! I thought Shaw, and his dodgy accent, also rather let this down but otherwise the production elements do work quite well and it looks good as they try to piece things together. It is quite tightly scripted; the supporting cast boasts an array of familiar British faces and the story is consistently paced as it builds nicely to a conclusion that isn’t quite as cinematically menacing as from 1939 or from 1959, but it is still quite effective. It’s all in the eyes…!

You've reached the end.