The Grandmaster
In Martial Arts there is no right or wrong, only the last man standing.
Ip Man's peaceful life in Foshan changes after Gong Yutian seeks an heir for his family in Southern China. Ip Man then meets Gong Er who challenges him for the sake of regaining her family's honor. After the Second Sino-Japanese War, Ip Man moves to Hong Kong and struggles to provide for his family. In the mean time, Gong Er chooses the path of vengeance after her father was killed by Ma San.
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Trailers & Videos

THE GRANDMASTER | Trailer 3

THE GRANDMASTER | Trailer

THE GRANDMASTER | Trailer 2

THE GRANDMASTER | According to RZA

THE GRANDMASTER | What Makes A Martial Artist?

THE GRANDMASTER | From Ip Man to Bruce Lee

THE GRANDMASTER | Director Wong Kar Wai

THE GRANDMASTER | Tony Lueng

THE GRANDMASTER | Zhang Ziyi

THE GRANDMASTER | Gold Pavillion Fight
Cast

Tony Leung Chiu-wai
Ip Man

Zhang Ziyi
Gong Er

Chang Chen
Razor

Zhao Benshan
Ding Lianshan

Xiao Shenyang
San Jiang Shui

Song Hye-kyo
Zhang Yongcheng

Wang Qingxiang
Master Gong Yutian

Max Zhang
Ma San

Shang Tielong
Jiang

Song Tao
Gong Er Di Zi

Lo Hoi-Pang
Uncle Deng

Cung Le
Iron Shoes

King Shih-Chieh
Gong Clan Elder

Yuen Woo-Ping
Chan Wah-shun

Lau Ga-Yung
Master Yong

Lau Shun
Master Rui

Zhou Xiaofei
Sister San

Berg Ng Ting-Yip
Brother Sau

Lo Meng
Dark Spirit
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Reviews
CinemaSerf
I'm a fan of Wong Kar-Wai's films but I reckon that I still prefer Wilson Yip's 2008 version of the Ip Man story. Set amidst the turbulent times in China that saw the end of the rule of Manchu dynasty, the embryonic republic established and then the Japanese invasion, we meet a man (Tony Leung) who lives peacefully in the small town of Foshan until he meets Wing Chun grand master Gong Yutian (Qingxiang Wang) who is looking for a successor. That is the beginning of a journey that will see him become a grand master of the martial art himself, whilst meeting, marrying and surviving! It's a superb looking film but for me just a little too over-stylised. The combat scenes are creatively choreographed but the use of the slowed-down visual effects didn't always work. Leung and the director are clearly on the same wavelength, and the story itself is a fascinating look at the rise of one culture through the wreckage of an ancient one. It's also clear that women too had their place in this society - and it wasn't always where stereotype might assume. A strong contribution from the adept and nimble Ziyi Zhang (Gong Er) demonstrates that well as battle lines between the old and new, the powerful and the aspirational are drawn and a good old dose of ancient tribal warfare sets up a proud story of heritage, loyalty and skill. Though a little soporifically scored at times, this is an enjoyable mix of history with touch of romance and plenty of action, and is well worth a couple of hours.
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