The Good Guys and the Bad Guys
The last of The Wildest Bunch shoots it out with a new breed of gunslinging glory-seekers.
An aging lawman and an aging outlaw join forces when their respective positions in society are usurped by a younger, but incompetent Marshal, and a younger, but vicious gang leader.
Trailers & Videos

Brawl in the River
Cast

Robert Mitchum
Flagg

George Kennedy
McKay

Martin Balsam
Mayor Wilker

David Carradine
Waco

Tina Louise
Carmel

Douglas Fowley
Grundy

Lois Nettleton
Mary

John Davis Chandler
Deuce

John Carradine
Ticker

Marie Windsor
Polly

Kathleen Freeman
Mrs. Stone

Jimmy Murphy
Buckshot

Nick Dennis
Engineer #2

Dorothy Adams
Mrs. Pierce (uncredited)

Robert Anderson
Jed (uncredited)

Jack Berle
Saloon Dealer (uncredited)

Thordis Brandt
Babe (uncredited)

David S. Cass Sr.
Tuber (uncredited)

Noble 'Kid' Chissell
Townsman (uncredited)

George Dunn
Engineer #1 (uncredited)
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Reviews
John Chard
Progress Posturing.
The Good Guys and the Bad Guys is directed by Burt Kennedy and written by Dennis Shryack. It stars Robert Mitchum, George Kennedy, Martin Balsam, David Carradine, Tina Louise, Lois Nettleton and Douglas Fowley. A Panavision/Technicolor production, music is by William Lava and cinematography by Harry Stradling Jr.
The town of Progress and Marshal Jim Flagg (Mitchum) learns that old foe John McKay (Kennedy) is about and robbery is soon to follow. However, Jim has difficulty convincing Mayor Wilker (Balsam) that any thing is up, the Mayor apparently more concerned with bed hopping and feathering his own political nest. So when Wilker prematurely retires Jim, sticking one of his lap-dogs into the role of Marshal, Jim sets about doing his own investigation. Pretty soon both Jim and John, one time enemies on either side of the law, find that both of them are out of time with an ever changing West.
Amiable. Burt Kennedy’s film doesn’t have the best of reputations, seemingly the blend of comedy and drama not teasing out much interest from the Western enthusiasts. It’s true enough to say that the main theme, that of the changing West and two men finding themselves relics of the time, is ultimately playing second fiddle to the frivolity, while the finale tips over into over zealous slapstick farcery, yet Kennedy and Shryack imbue the picture with a genuine love of the genre. The director lets the pairing of Mitchum and Kennedy unfurl naturally, whilst also giving Balsam licence to have a great time, thus all key performers are ever watchable. Scenic delights await within as Chama and Silverton provide location oomph, and the action quotient is in good supply.
Disposable for sure, but fun while it’s on. 6.5/10
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