The Garden of Allah

Two loves in conflict!

5.8
19361h 19m

The star-crossed desert romance of a cloistered woman and a renegade monk.

Cast

Photo of Marlene Dietrich

Marlene Dietrich

Domini Enfilden

Photo of Charles Boyer

Charles Boyer

Boris Androvsky

Photo of Basil Rathbone

Basil Rathbone

Count Ferdinand Anteoni

Photo of C. Aubrey Smith

C. Aubrey Smith

Father J. Roubier

Photo of John Carradine

John Carradine

Sand Diviner

Photo of Alan Marshal

Alan Marshal

Capt. De Trevignac

Photo of Lucile Watson

Lucile Watson

Mother Superior Josephine

Photo of Nigel De Brulier

Nigel De Brulier

Lector at Monastery (uncredited)

Photo of John George

John George

Waiter (uncredited)

Photo of Betty Jane Graham

Betty Jane Graham

Convent Girl (uncredited)

Photo of Bonita Granville

Bonita Granville

Convent Girl (uncredited)

Photo of Maria Riva

Maria Riva

Young Girl Sewing (uncredited)

Photo of Charles Waldron

Charles Waldron

Abbe of Monastery (uncredited)

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Reviews

G

CinemaSerf

6/10

Holy orders don't always suit everyone, as this rather disappointing drama concedes with neither "Domini" (Marlene Dietrich) and "Boris" (Charles Boyer) having the spirit to see their vows through. She is told by her reverend mother that maybe a time of reflection is in order, and where better than the Sahara. He? Well he has a slightly more duplicitous story to tell but that isn't something he immediately shares with her when they encounter amidst the shifting sands. Indeed, his Trappist monk malarkey quite endears him to her and soon they are head over heels. Now for the fly in the ointment. A bedraggled regiment of Foreign Legionnaires arrives at their remote oasis, and their captain (Alan Marshal) finds something familiar about the man! Whilst these sandy shenanigans are ongoing, we have the aristocratic count "Anteoni" (Basil Rathbone) keen on our lady, the mischievous "Irina" (Tilly Losch) with her nose out of joint and John Carradine wandering around trying to find water using divining rods. It's perhaps worse because the cast - which also includes C. Aubrey Smith - looks quite so impressive on paper, and it's a shame that this turns out to be so mundanely pedestrian. It doesn't help that they clearly never left the studio, but there's nothing at all between Dietrich and Boyer and Rathbone's camel isn't the only thing that looks like it's taken the hump. It might have looked better, or at least more authentic, had it been filmed in monochrome but sadly it wasn't, doesn't and isn't anyone's finest eighty minutes. Sorry.

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