The Devil Strikes at Night

6.9
19571h 40m

Hamburg, Germany, 1944, during World War II. A serial killer terrorizes the city. When it seems clear that the local police are unable to catch him, forces as dark and terrible as the criminal himself become involved in the case.

Trailers & Videos

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Cast

Photo of Claus Holm

Claus Holm

Police Commissioner Axel Kersten

Photo of Mario Adorf

Mario Adorf

Bruno Lüdke

Photo of Hannes Messemer

Hannes Messemer

SS-Gruppenführer Rossdorf

Photo of Peter Carsten

Peter Carsten

SS-Standartenführer Mollwitz

Photo of Carl Lange

Carl Lange

Major Thomas Wollenberg

Photo of Werner Peters

Werner Peters

Willi Keun

Photo of Annemarie Düringer

Annemarie Düringer

Helga Hornung

Photo of Monika John

Monika John

Waitress Lucy Hansen

Photo of Ernst Fritz Fürbringer

Ernst Fritz Fürbringer

Presiding Judge Dr. Schleffien

Photo of Georg Lehn

Georg Lehn

Detective Bruehl

Photo of Lukas Ammann

Lukas Ammann

Public Defender

Photo of Else Quecke

Else Quecke

Frau Lehmann

Photo of Friedrich Joloff

Friedrich Joloff

Radio Announcer (uncredited)

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Reviews

J

John Chard

8/10

Serial Killer - Nazis - Same Thing!

Nachts, wenn der Teufel kam is directed by Robert Siodmak and written by Will Berthold (article) and Werner Jörg Lüddecke. It stars Claus Holm, Annemarie Düringer, Mario Adorf, Hannes Messemer, Carl Lange and Werner Peters. Music is by Siegfried Franz and cinematography by Georg Krause.

A serial killer is terrorising Hamburg, Germany, during World War II. When the local police struggle to catch him, the Gestapo are brought in to crack the case.

The basis for the story is that of real life serial killer Bruno Lüdke, here played by Adorf. Yet this is only a side-bar to the actuality of Siodmak's film, for it's a clinical deconstruction of Nazi Germany at the time, a look at the final throes of that regime. It shows how the corrupt powers would do anything to not make their government look bad, with orders even coming from Adolf himself! It's all very fascinating and potent, and well performed. There's some nice visual touches via the night sequences, though you reasonably expect to have more from Siodmak, a fine purveyor of expressionism and noir chiaroscuro. There's some contrivances and a couple of badly staged action sequences, but this remains a tough political drama with mystery shadings. 8/10

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