Shadows

A film not to be missed.

6.9
19601h 27m

The relationship between Lelia, a light-skinned black woman, and Tony, a white man is put in jeopardy when Tony meets Lelia’s darker-skinned jazz singer brother, Hugh, and discovers that her racial heritage is not what he thought it was.

Trailers & Videos

Thumbnail for video: Shadows (1959) - trailer

Shadows (1959) - trailer

Thumbnail for video: Shadows (1959) ORIGINAL TRAILER [HD 1080p]

Shadows (1959) ORIGINAL TRAILER [HD 1080p]

Thumbnail for video: Martin Scorsese on John Cassavetes

Martin Scorsese on John Cassavetes

Cast

Photo of Lynn Hamilton

Lynn Hamilton

Girl at Party

Photo of Joanne Sages

Joanne Sages

Girl at Party

Photo of Greta Thyssen

Greta Thyssen

Girl at Party

Photo of John Cassavetes

John Cassavetes

Pedestrian (uncredited)

Photo of Seymour Cassel

Seymour Cassel

Al (uncredited)

Photo of Bobby Darin

Bobby Darin

Man at Rehearsal (uncredited)

Photo of Gena Rowlands

Gena Rowlands

Woman in Nightclub Audience (uncredited)

Photo of Lisa Seagram

Lisa Seagram

Woman (uncredited)

Photo of Jean Shepherd

Jean Shepherd

Man at Party (uncredited)

Photo of Mel Stewart

Mel Stewart

Man at Party (uncredited)

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Reviews

G

CinemaSerf

6/10

On paper, this jazz-fuelled, experimental looking, observation of racial tensions within a small group of friends made for an interesting concept. The execution though, well I found that really quite messy. There's three siblings. "Benny" (Ben Carruthers); "Hugh" (Hugh Lord) and "Leila" (Leila Goldoni) with the sister having a far fairer skin tone than her brothers. "Benny" is a bit of a loose cannon, going with the flow in life; "Hugh" is a musician who is having a bit of a crisis of confidence that not even his supportive manager "Rupert" (Rupert Cross) can pull him from and finally there's the sister. She meets "Tony" (Anthony Ray) and falls completely for his charms. When he meets her brothers, however, there's an immediate sense of hostility. Not a violent one, especially, just one with pretty clear racial undertones that sets the scene for a drama to unfold in a meandering yet at times quite potent fashion. "Leila" finds herself caught up between her family and her lover and as the temperature gradually rises and the jazz accompaniment - trumpets particularly - gets more frenzied, this all encourages the dynamic of the story to become more turbulent and unsettling. So far, so good. It's just the acting. It's not very good nor is it very natural. There's a constant fluidity to the scenario that doesn't tally when "Leila" becomes smitten. It's never a plausible definite in this story of transience and movement, and way too much of the atmosphere here comes from the soundtrack - performances are almost incidental save for a few brawling scenes that seem to suggest that's mankind's solution to everything. It is innovative, I'd give it that, but John Cassavetes fails to invest his characters with any qualities that made me want to care, one way or the other, so i just didn't.

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