Saraband for Dead Lovers

A Romance that rocked the Thrones of Kings.

6.4
19481h 36m

Sophie Dorothea is a young woman forced into a loveless marriage with Prince George Louis of Hanover. George Louis is later crowned King George I of England. Despairing of ever experiencing true love, the depressed queen finds life at court no solace. Sophie then falls for a dashing Swedish soldier of fortune, Count Konigsmark.

Production

Logo for Ealing Studios

Available For Free On

Logo for Darkroom

Cast

Photo of Stewart Granger

Stewart Granger

Count Philip Konigsmark

Photo of Joan Greenwood

Joan Greenwood

Sophie Dorothea

Photo of Flora Robson

Flora Robson

Countess Clara Platen

Photo of Françoise Rosay

Françoise Rosay

The Electress Sophia

Photo of Frederick Valk

Frederick Valk

The Elector Ernest Augustus

Photo of Peter Bull

Peter Bull

Prince George Louis

Photo of Michael Gough

Michael Gough

Prince Charles

Photo of Megs Jenkins

Megs Jenkins

Frau Busche

Photo of Jill Balcon

Jill Balcon

Knesbeck

Photo of David Horne

David Horne

Duke George William

Photo of Mercia Swinburne

Mercia Swinburne

Countess Eleanore

Photo of Noel Howlett

Noel Howlett

Count Platen

Photo of Miles Malleson

Miles Malleson

Lord of Misrule

Photo of Allan Jeayes

Allan Jeayes

Governor of Ahlden

Photo of Aubrey Mallalieu

Aubrey Mallalieu

Envoy at Ahlden

Photo of Guy Rolfe

Guy Rolfe

Envoy at Ahlden

Photo of Peter Arne

Peter Arne

Assailant

More Like This

Reviews

G

CinemaSerf

7/10

With the thrones of Great Britain likely to head into Hanoverian hands following the death of the last Stuart queen, Anne, there is quite a bit of jostling going on at the court of the Elector (Frederick Valk). He decides to marry his son “Louis” (Peter Bull) to the young “Sophie” (Joan Greenwood) and with the assistance of his manipulative wife (Françoise Rosay) hopes to take pole position for this plum of an inheritance. Thing is, the newlyweds don’t really get on and after delivering two children, “Louis” spends most of his time carousing and womanising whilst his wife stays at home, dutifully. Meantime, the manipulatrix “Countess Platen” (Flora Robson) excels at pulling the strings and she takes a shine to visiting Swedish Count “Konigsmark”. She’s used to getting her way and he’s no slouch when it comes to ambition, so initially their alliance delivers well for both, but as he sees more of the disillusioned princess, their relationship begins to burgeon to the chagrin of just about everyone else. Meantime, “Louis” plays games with real lives and when that forces “Konigsmark” to make tough choices, things all start to come to an head as the lovers, the schemers and the ambitious face a reckoning. This is one of my favourite roles from a Robson who was so often typecast into supporting roles, but here manages to get her teeth into a one that is part Catherine the Great and part Nell Gwynn. Granger is in his element as the dashing officer caught up in intrigues of his own making and the combination of Bull, Valk and a Rosay doing her own imperious impersonation of Dame Edith Evans works well at illustrating just why the population at large has little time for these tubby, self-indulgent and entitled individuals who cared only about their own political advancement. It looks great with a sumptuousness to the production design and considerable effort has gone into turning Sir Winston Churchill’s birthplace into a German palace. If you like your costume drama packed with characters and double-dealing, then this might do. I enjoyed it.

You've reached the end.