Richard III

Conscience is a word that cowards use.

7.2
19552h 35m

Having helped his brother King Edward IV take the throne of England, the jealous hunchback Richard, Duke of Gloucester, plots to seize power for himself. Masterfully deceiving and plotting against nearly everyone in the royal court, including his eventual wife, Lady Anne, and his brother George, Duke of Clarence, Richard orchestrates a bloody rise to power before finding all his gains jeopardized by those he betrayed.

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Trailers & Videos

Thumbnail for video: Richard III 1955 Trailer

Richard III 1955 Trailer

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"Richard III" : Order Now!

Thumbnail for video: Richard III - Restoration Demonstration

Richard III - Restoration Demonstration

Cast

Photo of Laurence Olivier

Laurence Olivier

Richard III

Photo of Cedric Hardwicke

Cedric Hardwicke

King Edward IV of England

Photo of Nicholas Hannen

Nicholas Hannen

Archbishop

Photo of Ralph Richardson

Ralph Richardson

Duke of Buckingham

Photo of John Gielgud

John Gielgud

George, Duke of Clarence

Photo of Mary Kerridge

Mary Kerridge

Queen Elizabeth

Photo of Pamela Brown

Pamela Brown

Jane Shore

Photo of Claire Bloom

Claire Bloom

The Lady Anne

Photo of Clive Morton

Clive Morton

The Lord Rivers

Photo of Stanley Baker

Stanley Baker

Henry, Earl of Richmond

Photo of Alexander Davion

Alexander Davion

Messenger to Richard III

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Reviews

G

CinemaSerf

7/10

Whilst Laurence Olivier has been acclaimed by many as the greatest exponent of Shakespeare ever, it is pretty clear in this strongly cast adaptation of probably my favourite of his histories, that Ralph Richardson and John Gielgud were every bit as good as he ever was. Add to this excellent cast Sir Cedric Hardwicke (and his instantly recognisable voice) as Edward IV; Mary Kerridge's excellent performance as Queen Elizabeth (Woodville) and a host of accomplished British stage actors and the scene is set for a rousing and luscious depiction of betrayal, lust and power. It is a bit over-theatrical at times, and the stage-bound nature of the vast majority of the production can be a little limiting, but Olivier directs himself and the others pretty much as I imagine the bard himself might have done. The dialogue is delivered in a focused and effective fashion and the "method" acting is largely left at the stage door as this epic tale of treachery and duplicity gathers pace and the internecine nature of the characterisations and their intrigues are readily brought to the fore. It does require a bit of concentration, but I found it positively flew by on a big screen that had me glued from the start. I reckon this is as good an interpretation of William Shakespeare as you will ever see, and is well worth a watch.

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