Reminiscence

Don't look back.

6.5
20211h 56m

Nicolas Bannister, a rugged and solitary veteran living in a near-future Miami flooded by rising seas, is an expert in a dangerous occupation: he offers clients the chance to relive any memory they desire. His life changes when he meets a mysterious young woman named Mae. What begins as a simple matter of lost and found becomes a passionate love affair. But when a different client's memories implicate Mae in a series of violent crimes, Bannister must delve through the dark world of the past to uncover the truth about the woman he fell for.

Production

Logo for FilmNation Entertainment
Logo for Kilter Films
Logo for Warner Bros. Pictures

Trailers & Videos

Thumbnail for video: Official Trailer

Official Trailer

Thumbnail for video: Interrogation In The Eel Tank

Interrogation In The Eel Tank

Thumbnail for video: New Orleans – Bar Scene

New Orleans – Bar Scene

Thumbnail for video: Memory Is Like Perfume

Memory Is Like Perfume

Thumbnail for video: A Family Reunion

A Family Reunion

Thumbnail for video: Where Is She – Fight Scene

Where Is She – Fight Scene

Thumbnail for video: Crafting a Memory

Crafting a Memory

Thumbnail for video: Full Movie Preview

Full Movie Preview

Thumbnail for video: A Journey Through Time Featurette

A Journey Through Time Featurette

Thumbnail for video: The First Kiss Clip

The First Kiss Clip

Cast

Photo of Hugh Jackman

Hugh Jackman

Nicolas 'Nick' Bannister

Photo of Thandiwe Newton

Thandiwe Newton

Emily 'Watts' Sanders

Photo of Cliff Curtis

Cliff Curtis

Cyrus Booth

Photo of Marina de Tavira

Marina de Tavira

Tamara Sylvan

Photo of Daniel Wu

Daniel Wu

Saint Joe

Photo of Mojean Aria

Mojean Aria

Sebastian Sylvan

Photo of Brett Cullen

Brett Cullen

Walter Sylvan

Photo of Natalie Martinez

Natalie Martinez

Avery Castillo

Photo of Angela Sarafyan

Angela Sarafyan

Elsa Carine

Photo of Woon Young Park

Woon Young Park

Burly Bouncer

Photo of Han Soto

Han Soto

Wesley Humphrey

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Reviews

F

FWMAM

8/10

An interesting combination of science fiction and film noir.
Not a perfect film - it drags in spots - but it is enjoyable if you're a sci-fi or noir fan.

The performances were solid. Rebecca Ferguson pulls off a very good femme fatale but the whole cast deserves a slow clap.

Lisa Joy, director/writer, shows that she certainly has talent even though the movie is not a home run. Call it a solid double. She's definitely worth keeping an eye out for. Don't go in expecting a perfect movie and you will enjoy what it does have to offer as there are some very good scenes, some less so. Overall it's a 3.5 to 4.0 star effort depending on your taste.

J

JPV852

5/10

Kind of a hollow grounded sci-fi film noir mystery yarn that features decent performances from Hugh Jackman, Rebecca Ferguson and Thandiwe Newton but the story wasn't terribly compelling and never quite believed the relationship between Jackman and Ferguson. Kind of ran out of steam early on and spent the remainder of the time not exactly interested in the mystery elements. I don't know, wanted to like it but highly doubtful I'd ever want to revisit. **2.75/5**

I

itsogs

6/10

Less than I would have expected from the cast but I don't see it as a failure on their part. I guess I expected something more, although I am not sure what. This is slow entertainment with a few interesting segments but not enough to keep you awake if your only goal was to watch the movie. For me it was the story that failed because it was unbelievable, although I am sure there is an audience that would eat this up.⭐⭐⭐

T

tmdb28039023

1/10

Reminiscence is a movie where people buy the cow even though the milk is free. In an indeterminate future where Miami has become a Venice of the New World, Nick Bannister (Hugh Jackman) runs a business that uses technology to access the memories of people who want to relive their past.

These people, mind you, do not suffer from amnesia; they're just too lazy and/or stupid to use their own brains — not even to remember something as pedestrian as playing with a dog (here’s an idea: buy another dog).

We see the memories of Nick's clients as if they were home movies, which is very convenient but makes zero sense, considering that people don't remember things from a third person perspective; for example, if I wanted to remember watching Reminiscence (fat chance), I wouldn't see myself watching the film.

Writer/director Lisa Joy tries, and fails miserably, to explain why we don't see her characters' memories from their own point of view with a "demonstration" by Nick that proves absolutely nothing except that you can throw as much shit at the wall as you like, but that doesn’t mean it will stick.

This is a less than auspicious debut for Joy, who settles for projecting the usual fixations of her husband and his brother, Jonathan and Christopher Nolan.

At least in Memento, as the name implies, the hero relied on reminders rather than memories per se, which are subjective and unreliable; in contrast, the memories in Reminiscence are as pristine as the dreams in Inception. Ever hear of photographic memory? This is more like photogenic memory.

You've reached the end.