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BFI Restoration Trailer

Now, Voyager - Trailer

Don't Let's Ask for the Moon, We Have the Stars

'Now, Voyager': Costume Designer Mark Bridges on the Bette Davis Classic | Follow the Thread

Now, Voyager (1942): Guest Programmer Sally Field with Robert Osborne - Bette Davis - 1940s Films

We Have the Stars
Cast

Bette Davis
Charlotte Vale

Paul Henreid
Jeremiah 'Jerry' Duvaux Durrance

Claude Rains
Dr. Jaquith

Gladys Cooper
Mrs. Henry Vale

Bonita Granville
June Vale

John Loder
Elliot Livingston

Ilka Chase
Lisa Vale

Lee Patrick
Deb McIntyre

Franklin Pangborn
Mr. Thompson

Katharine Alexander
Miss Trask

James Rennie
Frank McIntyre

Mary Wickes
Dora Pickford

Tod Andrews
Dr. Dan Regan (uncredited)

Brooks Benedict
Party Guest (uncredited)

Yola d'Avril
Celestine (uncredited)

Charles Drake
Leslie Trotter (uncredited)

Claire Du Brey
Hilda (uncredited)

Elspeth Dudgeon
Aunt Hester (uncredited)

Bill Edwards
Ship's Passenger (uncredited)

Bess Flowers
Concert Audience Member (uncredited)
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Reviews
CinemaSerf
Bette Davis at her best took some beating, and here is one such an example. Together with expertly delivered performances from Claude Rains and Gladys Cooper we are presented with an emotional roller-coaster of a film. Davis starts as the hen-pecked daughter of Cooper, until she encounters Rains' "Dr. Jaquith" who decides that he may be able to help this erstwhile shy spinster find herself a little purpose in life. She is despatched on a cruise liner where she meets the married "Jerry" (Paul Henried) and though there is a semblance of a romance, it can come to nothing and it is only after a long, occasionally torrid but always riveting series of scenarios, that we begin to arrive at anything that might resemble a conclusion. Irving Rapper does really well to allow Max Steiner's score and an excellent Casey Robinson screenplay to empower his stars to create and develop characters in whom - especially Davis - we can readily invest. I have never been Henreid's biggest fan, I always found him just a little bit insipid, but he works well here as does a really on form Cooper in the role of her mother. Seen very recently on a big screen again after almost 80 years, and it has lost none of it's style, panache and wonderfully paced sense of the dramatic. Great stuff!
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