My Week with Marilyn

She's worth all the trouble.

6.7
20111h 39m

London, 1956. Genius actor and film director Laurence Olivier is about to begin the shooting of his upcoming movie, premiered in 1957 as The Prince and the Showgirl, starring Marilyn Monroe. Young Colin Clark, who dreams on having a career in movie business, manages to get a job on the set as third assistant director.

Production

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Trailers & Videos

Thumbnail for video: Official Trailer

Official Trailer

Cast

Photo of Michelle Williams

Michelle Williams

Marilyn Monroe

Photo of Kenneth Branagh

Kenneth Branagh

Sir Laurence Olivier

Photo of Eddie Redmayne

Eddie Redmayne

Colin Clark

Photo of Dominic Cooper

Dominic Cooper

Milton Greene

Photo of Philip Jackson

Philip Jackson

Roger Smith

Photo of Derek Jacobi

Derek Jacobi

Sir Owen Morshead

Photo of Toby Jones

Toby Jones

Arthur Jacobs

Photo of Michael Kitchen

Michael Kitchen

Hugh Perceval

Photo of Julia Ormond

Julia Ormond

Vivien Leigh

Photo of Dougray Scott

Dougray Scott

Arthur Miller

Photo of Zoë Wanamaker

Zoë Wanamaker

Paula Strasberg

Photo of Judi Dench

Judi Dench

Dame Sybil Thorndike

Photo of Richard Clifford

Richard Clifford

Richard Wattis

Photo of Robert Portal

Robert Portal

David Orton

Photo of Pip Torrens

Pip Torrens

Sir Kenneth Clark

Photo of Geraldine Somerville

Geraldine Somerville

Lady Jane Clark

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Reviews

G

CinemaSerf

7/10

I reckon this might be my favourite effort from Michelle Williams as she plays the eponymous screen legend who arrives in the UK to play opposite Sir Laurence Olivier (Kenneth Branagh) in "The Prince and the Showgirl". Meantime, budding writer Colin Clark (Eddie Redmayne) is desparate to get into the film industry and so has been doorstepping producer Hugh Perceval (Michael Kitchen) for ages. Eventually, he gets a foot in the door the a chance introduction to Sir Larry leads to another one with Monroe and soon young Clark finds himself tasked with keeping this increasingly flaky woman on message as it's fair to say that her methods are not quite as rigorous or disciplined as those of her co-star. If you've seen the 1957 film, you'll know that it possibly isn't anyone's finest hour - except, perhaps, for Dame Sybil Thorndyke who here portrayed by Dame Judi Dench offers the American visitor some semblance of understanding and tolerance as tempers fray and the relationship between Colin and Marilyn starts to intensify. The narrative is based on Clark's two books on the subject, so it does offer us quite an authentic and sensitive insight into just how that one week padded out; how these contrasting personalities and their working practices struggled to reconcile and Williams looks entirely comfortable as the troubled actress as does the uncannily made-up Branagh as an Olivier all too used to getting his own way. Redmayne makes surprisingly little impact - perhaps because his character must remain objective as a narrator and not unsurprisingly Clark wasn't keen on embellishing his own role - intimate or not - with Monroe. Both she and Olivier are fascination creatures in cinema history and this biopic presents us with a glimpse of just how creative clashes can result in a positive spark.

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