My Man Godfrey
She wanted her breakfast in bed - but not alone.
The eccentric Bullock household again need a new butler. Daughter Irene encounters bedraggled Godfrey Godfrey at the docks and, fancying him and noticing his obviously good manners, gets him the job. He proves a great success, but keeps his past to himself. When an old flame turns up Irene's sister Cordelia starts making waves.
Trailers & Videos
![Thumbnail for video: My Man Godfrey (1957) Original Trailer |HD] Thumbnail for video: My Man Godfrey (1957) Original Trailer |HD]](https://img.youtube.com/vi/uGdElifXAsY/hqdefault.jpg)
My Man Godfrey (1957) Original Trailer |HD]
Cast

June Allyson
Irene Bullock

David Niven
Godfrey Smith

Jessie Royce Landis
Angelica Bullock

Robert Keith
Alexander Bullock

Eva Gabor
Francesca Gray

Jay Robinson
Vincent

Martha Hyer
Cordelia Bullock

Jeff Donnell
Molly

Herbert Anderson
Hubert

Eric Sinclair
Brent

Fred Essler
Captain

Dabbs Greer
Lieutenant O'Connor

Jack Mather
Second Detective

Harry Cheshire
Elliott

Robert Clarke
George

Robert Brubaker
Man with Monkey

Robert Foulk
Motor Cop

Thomas Browne Henry
Henderson

Richard Deacon
Farnsworth

Bess Flowers
Party Guest (uncredited)
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Reviews
CinemaSerf
I am an huge fan of David Niven, but not even his suave, sophisticated portrayal of "Godfrey" can rescue this from the clutches of June "Dorothy-on-speed" Allyson's frenetically annoying performance as "Irene". He is, ostensibly, a penniless Austrian vagabond she discovers on a pier, takes a bit of a shine to, and impressed by his cultivated style and urbane turn of phrase, takes him back to the US to be the butler in their exclusive family home. Needless to say, he fits in perfectly and has them all eating from his hands. He does not, however, disclose that his past isn't quite what they expect and when he is eventually rumbled - and not in the way you might expect, the story becomes terribly convoluted. Comparisons with the 1936 Lombard/Powell version do not really flatter this production. It is too in-your-face without the subtle humour or romance of its predecessor. Odd to see Jay Robinson in a film without a cape and some centurions and Eva Gabor brings some glamour (if little else) to the proceedings.
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