Merry Christmas, Mr. Lawrence
Java, 1942 — A clash of cultures, a test of the human spirit.
Island of Java, 1942, during World War II. British Major Jack Celliers arrives at a Japanese prison camp, run by the strict Captain Yonoi. Colonel John Lawrence, who has a profound knowledge of Japanese culture, and Sergeant Hara, brutal and simpleton, will witness the struggle of wills between two men from very different backgrounds who are tragically destined to clash.
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Merry Christmas Mr. Lawrence (1983) Original Trailer

Mark Kermode reviews Merry Christmas Mr. Lawrence (1982) | BFI Player

Official Trailer

Trailer
Cast

David Bowie
Celliers

Tom Conti
Lawrence

Ryuichi Sakamoto
Yonoi

Takeshi Kitano
Hara

Jack Thompson
Hicksley

Johnny Ohkura
Kanemoto

Alistair Browning
De Jong

Yuya Uchida
Commandant of Military Prison

Ryūnosuke Kaneda
President of the Court

Takashi Naito
Lieutenant Iwata

Rokkō Toura
Interpreter

Kan Mikami
Lieutenant Itō

Daisuke Iijima
Corporal Ueki

Hideo Murota
New Commandant of Camp

Geoff Clendon
Australian Doctor

Grant Bridger
P.O.W. Officer

Geoff Allen
P.O.W. #2

Colin Francis
P.O.W. #6

Arthur Ranford
P.O.W. #13

Ian Miller
English Guard
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Reviews
CinemaSerf
This offers a really poignant look at what we might describe as mutual insanity. "Maj. Celliers" (David Bowie) is convicted by the occupying Japanese on the island of Java on citing rebellion. With hindsight, perhaps he would rather not have been, but he is spared the firing squad and sent to the POW camp of "Col Yonoi" (Ryuichi Sakamoto) who leaves much of the day to day brutality to his henchman "Sgt. Hara" (Takeshi Kitano). Also interned is "Col. Lawrence" (a strong performance from Tom Conti) who knows a thing or two about the culture of their "hosts" and tries, as best he can, to mediate and mitigate their worst excesses. What now ensues depicts the brutality - physical and psychological employed by the sadistic "Hara" whilst interspersed with some retrospectives giving us some of the back-story of "Celliers" and his life of privilege back home. The production is rich and alluring to watch; Bowie and Sakamoto both look beautiful here - and perhaps that adds to the potency of the cruelty of the latter more. The gist of the story calls into question an whole range of emotions from the more visceral to the more profound and though it is probably a bit too long, the powerfully emotive performances are captivating. Bowie maybe wasn't the best actor ever, but here he excels and with Sakamoto provides something really quite thought provoking.
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