Joe Bell

Redemption is a journey you can't take alone.

6.5
20201h 33m

The true story of a small town, working class father who embarks on a solo walk across the U.S. to crusade against bullying after his son is tormented in high school for being gay.

Production

Logo for Nine Stories Productions
Logo for Argent Pictures
Logo for Endeavor Content

Available For Free On

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Trailers & Videos

Thumbnail for video: Official Trailer #2

Official Trailer #2

Thumbnail for video: Official Trailer

Official Trailer

Thumbnail for video: TIFF 2020 Q&A

TIFF 2020 Q&A

Cast

Photo of Reid Miller

Reid Miller

Jadin Bell

Photo of Maxwell Jenkins

Maxwell Jenkins

Joseph Bell

Photo of Gary Sinise

Gary Sinise

Sheriff Westin

Photo of Tara Buck

Tara Buck

Mary Ivy

Photo of Cindy Perez

Cindy Perez

Driver in Jeep

Photo of Jayne Luke

Jayne Luke

Samantha Sims

Photo of Juan Antonio

Juan Antonio

Utah HWY Patrolman

Photo of Cassie Beck

Cassie Beck

Mrs. Swift

Photo of Jake Brown

Jake Brown

Student #1

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Reviews

G

CinemaSerf

6/10

Reid Miller is quite engaging here as the bullied gay youngster Jadin Bell. His time at school is torrid, and he seems unable to secure any help to protect him from the bigoted assholes he must face each day. His father (Mark Wahlberg) is supportive, but in a 'don't ask don't tell" sort of fashion, the appalling position also taken by the principal at his school. Eventually, the pressure all just proves too much and the young man takes his own life. This inspires his father to try to walk from their home to New York raising the issues of homophobia and bullying as he goes. Wahlberg's name is what will do the work here; his participation in highlighting these issues of both physical and psychological intimidation ought to resound with whomever watches this, reads about it, or sees any of his publicity blurb. As a piece of cinema, though, it's pretty mediocre. Barring a scene with the two leads doing a bit of a Lady Gaga routine, the drama and the acting are fairly sterile and it takes recourse to a few handsome, but cop-out, power ballads when the script runs out of anything meaningful to say. It's a shocking testament that this still goes on in 2022 in a nation that purports to be civilised - and though this film, in itself, is largely forgettable, let's hope the message isn't.

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