California Suite

The best two-hour vacation in town!

5.8
19781h 43m

The misadventures of four groups of guests at the Beverly Hills Hotel.

Production

Logo for Columbia Pictures
Logo for Rastar Productions

Trailers & Videos

Thumbnail for video: Promo   California Suite, 1978 12 17

Promo California Suite, 1978 12 17

Cast

Photo of Jane Fonda

Jane Fonda

Hannah Warren

Photo of Alan Alda

Alan Alda

Bill Warren

Photo of Maggie Smith

Maggie Smith

Diana Barrie

Photo of Michael Caine

Michael Caine

Sidney Cochran

Photo of Walter Matthau

Walter Matthau

Marvin Michaels

Photo of Elaine May

Elaine May

Millie Michaels

Photo of Herb Edelman

Herb Edelman

Harry Michaels

Photo of Richard Pryor

Richard Pryor

Dr. Chauncey Gump

Photo of Bill Cosby

Bill Cosby

Dr. Willis Panama

Photo of Sheila Frazier

Sheila Frazier

Bettina Panama

Photo of David Sheehan

David Sheehan

David Sheehan

Photo of Brian Cummings

Brian Cummings

Autograph Seeker

Photo of Bill Kux

Bill Kux

Autograph Seeker

Photo of Army Archerd

Army Archerd

Army Archerd

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Reviews

G

CinemaSerf

6/10

Neil Simon isn't really at his best with this rather hit or miss telling of four families who happen to stay at the world famous Beverly Hills Hotel. The divorced "Warren" family - Jane Fonda & Alan Alda are squabbling over the future of their teenage daughter. She has custody but the youngster wants to spend more time with her father and that's causing no end of self doubt and frustration with her mother. "Marvin" (Walter Matthau) comes on a day ahead of his wife "Millie" (Elaine May) and manages to find himself with an hooker who has no idea when it's a good time to wake up and leave. Richard Pryor and Bill Cosby are brothers travelling with their wives who find an hotel mishap leaves one couple in luxury, the other in a glorified bedsit. Finally, the best of the script falls to Maggie Smith and Michael Caine as the married couple in town because she's been nominated for an Oscar. Last minutes nerves, wobbles, loads of gin and a constant search for validation from her loving but not the most gushing of husbands provides us with much of the best sarcasm and wit contained here, and those scenes - sparing after the half way mark give us most of what's worth watching here. The Pryor/Cosby and Matthau/May scenarios are more contrived and don't work nearly so well and the initial melodrama really only offers Fonda a chance to deliver some lengthy monologues of, occasionally pithy, dialogue. It does poke fun at some of the more facile elements of life and fame, but the episodic nature of the storytelling I found to be a little disjointed and not really that funny.

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