Movies & TV Shows from Mexico

A young nurse with a domestic abuse past starts working the night shift at a small hospital, where, during the night, the ghost of a nurse materializes.

In June of this year we were fortunate enough to return to Mexico City for three sold out shows at Foro Sol Stadium and with 155,000 of you there over the three nights, we knew it would be extra special. So we asked our friend Wayne Isham to join us with a film crew and the results of that crazy, magical, most memorable long weekend are shown here on this single disc pressing.

An ex-cop in self-imposed witness protection in Mexico becomes a target when a fight video of his apprentice goes viral.

In Chile, 1973, during the last days of Salvador Allende's presidency, an employee at a Morgue's recording office falls for a burlesque dancer who mysteriously disappears.

Single father with a disability struggles to raise his son.

This outrageous comedy stages a soap opera of epic proportions, as one corrupt property developer faces trial for Mexico's violent history. The fourth feature from Santiago Mohar Volkow, Una historia de amor y guerra centres on real estate baron Pepe Sánchez-Campo, whose mega-mall development brings him into conflict with local guerrillas. For once, bribery and a call to Daddy might not be enough to save Pepe – a character more grotesque than the telenovela unfolding around him. Trying to sabotage Pepe's marriage to Constanza, her cousin and lover Teo records Pepe cheating. The resulting chaos precipitates in a burlesque bloodbath involving treachery, talking animals, colonial history and bartering in the afterlife.

In the time of the Aztec empire, tragedy strikes Yohualli Coatl when his father is murdered by Spanish conquistadors. To warn King Moctezuma and his high priest, Yoka, of imminent danger, Yohualli escapes to Tenochtitlán. There, he trains in the temple of the bat god Tzinacan with his mentor, developing equipment and weaponry to confront the Spanish invasion and avenge his father’s death. Along the way, he encounters key figures like the fierce Jaguar Woman and the conquistador Hernán Cortés.

A musician is injured and threatened for defending a girl and decides to go to the capital, where fame and success achieved. She is glad to know that he has succeeded, however, has become a street prostitute prone to paralysis. Finally one day he takes courage and decides to look for, since it has become invalid again ...

Emiliano looks at his life with the eyes of a film director, mixing the objective reality with the processes of the artistic creation. The story he is filming flounders with his daily life, until his world is trapped in the lens of his camera. Confused, always alone and in front of a screen, now become a transfigured reality, but at the same time a measurable, controllable and manipulable one, he listens in loop to a song: one of those songs you sing or repeat as a prayer and forcing you to remember, believe and convince yourself.

After almost 10 years of marriage, attractive Zoe discovers that her marriage lacks passion and surprise, and is seduced by the possibility of finding those sensations already forgotten in her husband's brother. From this premise a series of events lead these three characters to a dangerous game of revenges, secrets and passions. Two brothers and one woman: the triangle is outlined in a disquieting way. It is a bomb that triggers family secrets, the contained rage of desire and the unmanageable power of love. An exciting story that subjugates the viewer from beginning to end. Even though Zoe/Sonia has been married to Ignacio/Ishan for about a decade, they are unable to have children. She wants to be intimate but he prefers to be ready for intimacy on Saturdays only, and she gets physically drawn to his artistic brother, Gonzalo/Rohan. Then things get complicated for her after she tests positive for motherhood and finds that her husband may be gay.

During a road trip meant to bring them closer, the Meza family experiences an unexpected twist when they mysteriously swap bodies. As they adapt to each other’s lives, they gain new perspectives on their relationships in this lighthearted story about connection and understanding.

Dramatization of a popular '70s corrido.

Young couple run off to join the Mexican Revolution, in part because she has a crush on Francisco Villa.

In post–civil war Spain, 10-year-old Ofelia moves with her pregnant mother to live under the control of her cruel stepfather. Drawn into a mysterious labyrinth, she meets a faun who reveals that she may be a lost princess from an underground kingdom. To return to her true father, she must complete a series of surreal and perilous tasks that blur the line between reality and fantasy.

Susie is obsessed about losing weight, thus being "bonita" and not "gorda" - the two keywords in the original Spanish title. She calls on a fairy godmother to grants her three wishes. Susie resorts to these to become the most beautiful woman in the world.

On the eve of the Grito de Dolores and faced with the threat of being arrested by the viceregal government, Miguel Hidalgo suggested to Captain Allende that the flag of the insurgent movement be the banner of the Virgin of Guadalupe.

A 1941 film.

Young woman's character flaws and aristocratic pretensions become an obstacle when she falls in love and decides to marry. Numerous lives are ruined.

Every Friday, the Colonel puts on his only suit and goes to the dock to await a letter announcing the arrival of his pension. But the townsfolk all know that this pension will never come. His wife also knows it, and even he knows it. But he is still waiting, living with the pain of the death of his son.

In the far east the star of great power is stolen by an ambitious woman, who was jealous of the jungle girl who was sent by the gods, also succeeds in kidnapping her. This mission will only be solved by Santo, the masked man of silver who will have to save the girl and recover the star to return the tranquility to the town.

When a birthday party takes a tragic turn, its ripples shatter a close-knit community — tearing families, friendships and hearts apart.

A group of young adults will spend their adolescence at the Elite Way School, where they will learn about love, life and live their passion for music.

Though stuck at the bottom of the social ladder with no money or contacts, aspiring artist Vgly and his crew strive to break into the music business.

The mishaps of Chavo, an 8-year-old orphan boy who lives in a barrel. Together with Quico, Chilindrina, Ñoño and La Popis, Chavo experiences a series of humorous entanglements.

The adventures of Vicenta Acero, the feared coyote who now leads the dynasty of illicit dealings once under the control of her father.

Stories about people who get into problems who use the help of Virgin Mary and where a rose appears and their problems are solved.

Worlds collide when a vengeance-obsessed young woman from the other side of the tracks captures the attention of two well-off friends.

Cuidado Con El Ángel is a Telenovela distributed by Televisa starring Maite Perroni and William Levy. The telenovela, a production of Nathalie Lartilleux, premiered on June 9, 2008 and finished its broadcast March 6, 2009. It had millions of viewers worldwide, and broke records in America.

A woman in a controlling marriage finds solace — and revenge — in an affair with a younger man, until it spirals into a dangerous fight for survival.

María José (Lucía Méndez), Paula (Laura Flores), Roberta (Maribel Guardia), and Stacy (Marjorie De Sousa), four women who work in the production of a television talk show. Their lives take an unexpected turn when the show's producer—a man who has tormented them for years—appears dead. From that moment on, they become suspects in the crime. Although they proclaim their innocence, this unexpected situation becomes the spark that unites them, pushing them to rediscover themselves and embrace life with more freedom and humor.

Married Alma spends a fateful weekend away from home that ignites passion, ends in tragedy and leads her to question the truth about those close to her.

A casual encounter between Adriana and Sergio, two former high school friends, triggers the beginning of the game of the keys where four couples generate new sexual and emotional combinations in a dangerous and lustful game. The game consists of everyone putting their keys in a bowl. At random, each one chooses some keys and he must go to spend the night with the owner of the keys. This game will revolutionize the group of friends and their lives. It will make them discover who they are and what they really want.

A respected and renowned businesswoman and philanthropist, considered one of the most sought-after brides in the country, who is left at the altar on her wedding day. Humiliated, betrayed, and turned into a target of public scrutiny, Doménica decides to flee and take refuge in one of her parents’ old estates. There, marked by pain, she faces new challenges and meets Luis Fernando, the owner of the neighboring estate, who also carries a painful past. Between them, an explosive relationship develops, marked by pride, misunderstandings, and growing attraction, where land disputes intertwine with their shared desire to rebuild, heal, and give new meaning to their lives.

The everyday life of people in Mexican neighborhoods, where anything can be found. Each episode interacts between these peculiar neighbors, where they encounter real and fictitious problems.

Teresa Chavez is a young woman with an obsession for money and ambition. Despite her beauty and the fact that she was raised in the bosom of a loving family, she is resentful; her one desire is to leave her humble but poor neighbourhood.

Mirada de mujer: El regreso is a Mexican telenovela, which was produced by and broadcast on TV Azteca in 2003. It is the sequel of Mirada de Mujer.

"What Life Took From Me" is a Mexican telenovela produced by Angelli Nesma Medina for Televisa. It is a remake of Bodas de odio, produced by Ernesto Alonso in 1983. In 2003, "True Love", the first remake, was produced by Carla Estrada. Unlike Bodas de odio and "True Love", "What Life Took From Me" has been adapted to the present time.

The story of the Baladro sisters, known as “Las Poquianchis”, who built a brothel empire and became merciless killers in 1960s Mexico.