
A group of kidnappers take the son of a wealthy presidential candidate in Haiti. Doc and Zoe are two amateur gangsters tasked with delivering the young man to their ruthless boss. With a hitman on their trail, Zoe accidentally kills the hostage. Panicked, Doc and Zoe come across Patrick and his very pregnant wife Laura. Patrick looks exactly like the senator’s dead son. Doc and Zoe decide to abduct the couple and replace the candidate's son with Patrick.

A couple on holiday in Haiti become involved in a series of savage murders linked to a doctors a new invention, a drug with extreme side effects.

A documentary focusing on the the events in Haiti following the coup of September 30, 1991. The program includes interviews with exiled President Jean Bertrand Aristide, his cabinet, dissident clergy, underground resistance leaders, U.S. State Department officials, and a cross-section of Haitian people.

A curious college student travels to Haiti to unravel the life of the president. What she finds is...unspeakable. While investigating the past of President Moïse for a memoir, Shedeline walks into the heart of a life-changing event for her, Haiti, and its president; as she gets a front-row seat to the chaos and intrigue of a bloody political firestorm. This unexpected turn of events shakes her and introduces a terrifying twist to what she thought would be an ordinary story. Now, her memory is heavy with the answer to the prodigious question hanging over an unsettled nation. Who killed the president?

Haitian history is presented through an explosion of colour, dance and music, as the country prepares for its legendary carnival.

Every New Year, and in celebration of their Independence, Haitian families gather together to feast in honor of a line of ancestors that fought for their freedom. The centerpiece of the festivity is the joumou soup—a traditional soup dating back centuries ago. The joumou soup is a concretization of war and victory, oppression and emancipation, and the deeply rooted celebratory traditions of the Haitian culture.

Early 1960s Haiti during 'Papa Doc' Duvalier's dictatorship seen through the eyes of a young girl whose family has suffered heavily.

The film tells the story of one citizen from Jalouzi, one of the largest slums in Haiti, who is determined to bring color to the impoverished area by helping paint the entire town, literally. Believing that color has the power to transform his community, he’s helping to paint everywhere – on houses, on buses, and the entire hillside. Armed with brushes of bright blues, pastel pinks, and sunshine yellows, he’s helping to mobilize citizens of all ages, determined to turn the grey town into a rainbow full of color to lead the way to a brighter Haiti.

Zombie escapes from prison and says in TV that he's in love with a woman, becoming very popular in Haiti. Politicians decide to support his candidature for president.
A singer who leads a wild life of sex and drugs falls in love for the first time in his life when he is diagnosed with AIDS.

In 1791, in Haiti, Dutty Boukman presided over a Vodou ritual in Bois-Caïman that led to the creation of the first Black republic. Since then, rituals of transformation and artistic expression have been at the core of a thriving culture as the country faces oppression, poverty, and natural disasters. "Kite Zo A” (Leave the Bones) is a sensorial film about rituals in Haiti, from ancient to modern, made in collaboration with poets, dancers, musicians, fishermen, daredevil rollerbladers, and Vodou priests, set to poetry by Haitian author Wood-Jerry Gabriel.

Follows the defiance of two art institutions in the Caribbean: one closed but squatted by artists, the other fighting to stay open. Against the backdrop of political strife, Haitian and Guadeloupean artists grapple with the concept of freedom in their battle to preserve their spaces.

Edouard has been living in Port-au-Prince with just his daughter Zara for five years. Since his wife left, his daughter and him have only received a cassette from her, and that was a long time ago. After years of absence, what can we expect from a distant love?

Two documentary filmmakers go back in time to the pre-Civil War American South, to film the slave trade.
A 26-year-old man becomes gravely ill and died of an unknown disease. He was clearly hexed: it’s October 1980 and we are in Haïti. Meanwhile, in Reagan's country, health authorities have decided that Haitians, Homosexuals, Hemophiliacs and Heroin users are to be part of the 4H club whose members are dying in New York City, San Francisco, and Toronto. Why put the Haitians in a separate group?
Writer and cineast Jørgen Leth is the fascinated observer of a country where reality often seems surreal and resembles fiction. Haïti’s history is written in blood. Voodoo plays an important role in politics. Death and horror are part of Haïti’s everyday life. Over five years Leth and his small crew witnessed dramatic events, but he also captured moments of sensuality and beauty in his epic and very personal documentary.
The documentary evokes the devastating effects of the earthquake that struck the Haitian capital on January 12, 2010, through the words of Haiti's greatest poet Frankétienne and his premonitory play The Trap. Shot in the ruins of Port-au-Prince's main cathedral, this film is an ode to life and suffering, a poetic response to the tragedy and desperation of a people who continues to mourn the 250,000 lives lost in the earthquake.

One family, three men, three generations, all living together with their contrasting aspirations, within the contradictions of daily life in southern Haïti. Tensions mount between them, their ever-present machetes on-hand, defining them.

Special broadcast of Aimé Césaire's text, directed by Hervé Denis for the Cooperation and Cultural Action Mission of the French Embassy in Haiti.