Content from Uma Pedra no Sapato

In 1917 Burma (now Myanmar), a British diplomat is set to marry his fiancée, but after a sudden panic, escapes to Singapore, sending her on what evolves into a chase across Asia.

At an old manor house in northern Portugal, Ana helps her friend, Emília, the elderly housekeeper who is determined to continue to keep the unoccupied house in order for the owners who are never there. As the seasons turn, Mónica, Ana's daughter, challenges her mother's choices and the three generations of women search to understand where they belong in a world that is rapidly fading, where the cycle of life is renovated only through inevitable endings.

1907. Afonso, a doctor, arrives at Principe Island to cure servants from a cocoa plantation “infected” with Banzo, nostalgia of the slaves, who are dying from starvation and suicide. The group is confined to the forest, where Afonso decides to heal them by trying to understand what is affecting their soul. Will he manage to save them?

Muanza, a woman born in the Kingdom of Kongo in the early nineteenth century and trafficked to Brazil, awakens to find herself in the present, roaming the streets of Rio’s rapidly changing port region, known as ‘Pequena Africa’, or Little Africa.

Crista, Carloto and João are building an airy greenhouse for butterflies in the garden. The three of them share household routines, day after day… And they are not the only ones.

Sergio travels to a metropolis in West Africa to work for an NGO as an environmental engineer on a road project between the desert and the forest. There, he becomes entangled in an intimate yet unbalanced relationship with two inhabitants of the city, Diara and Gui. As neo-colonial dynamics among the expatriate community unravel, this fragile bond becomes his only refuge from an impending collapse into solitude or barbarism.

Ze, a 17-year-old, studies hard at school to succeed in the cold, callous society of modern Mongolia. When Ze encounters Maralaa, his senses are awakened and another reality seems possible.

Mena lives alone with her daughter Clara. Today is Clara’s seventh birthday. Despite her limited financial resources, Mena still manages to organise a birthday party. But after a phone call from her mother, she becomes distraught and anxious.

October 2019, Great Yarmouth, Norfolk (UK). Three months before Brexit. Hundreds of Portuguese migrant workers pour into town, seeking work at the local turkey factories. Tânia (The Mother of the Portuguese), a former worker in these poultry plants, is now married to an English hotel owner. She is the perfect facilitator for the Portuguese workers, but dreams of becoming a British citizen and leaving this dirty business behind by transforming her husband’s derelict hotels into refurbished senior citizens homes.

This film tries to make a silent record of the arrival of an economy of scale, its flows, and its effects upon the transformation of an island’s physical and human landscape.

'Bué Sabi' (pronounced "bweh sabi") portrays the unlikely friendship of three female characters: a troubled girl of Gypsy descent who lives in one of Lisbon's toughest neighbourhoods, her best friend from Cape Verde and a young middle-class girl. Apart from their differences, they are good friends. Until one fateful night in Lisbon...

Miguel —alias Tibars, alias “Djon África,” born and raised in Portugal— is a kindhearted Rastafarian who loves women and lives a carefree life. Until one day a stranger tells him he's the spitting image of his father, “a player and a crook.” His father, whom he never even knew! This intriguing discovery makes him change tack. Particularly when his grandmother, who always took care of him, finally tells him how his father was in prison; how sad Miguel was as a toddler when he couldn't see him; how his father was banished to Cape Verde. Miguel goes there to visit him. Who is this man?

1975, the year after the Carnation Revolution. Eduarda, João and Mick come from Northern Europe to work in the co-ops in the occupied farms of central Portugal. Like many others, they come to help with the land and the livestock, give medical appointments, family planning classes, show sexual education films and participate in the traditional dances. They bring a great deal of questions, but the “comrades from the South”, in turn, have more questions than answers.

In the early '90s, Portuguese nanny Leonor accompanies 8-year-old Vera to France, where Vera spends her vacation with her estranged French father and his new family. The deep bond between Leonor and Vera, along with the language barrier isolating them, creates a complex dynamic. As tensions mount, Leonor faces reminders of her subordinate position within the household.

A town in the greater Parisian suburbs, its housing estates, its rose and vegetable greenhouses, its inhabitants. It is winter and a Roma camp has been set up. While most of the local residents are outraged and demand the expulsion of these new neighbors, a few women will try to help them live on the land they occupy.

After another failed attempt to get pregnant, a young couple begins to diverge in their desires. Pandemics, climate change and life’s uncertainties loom large. What does it mean to bring a child into an ever-more-complicated world? The cycles of nature and the seasons remain constant either way.

Three men wash ashore in a forgotten cove, where time seems to have stood still. Surrounded by volcanic rocks and tides, they find themselves confined in a place as beautiful as it is inhospitable. As the days go by, a strange presence begins to insinuate itself among them.

“Black Gold” is a visually striking film directed by a Japanese filmmaker, blending a minimalist aesthetic with the natural beauty of rural India – a true visual feast for cinephiles. Every detail is crafted with precision, reflecting a uniquely Japanese perspective.