
Adaptation of the novel of the same name, by João Ricardo Pedro.

In 2007, Yahya works at his friend Osama’s falafel shop in Gaza, which doubles as a drug dealing front. His entanglement leads him to witness a terrible crime. A couple years later, Gaza’s Ministry of Culture randomly chooses Yahya to star in a TV series that highlights martyrs and heroes of the resistance. As conflict simmers in the distance, Yahya unexpectedly receives real weapons, heightening the stakes as the show provides him with an opportunity to confront the perpetrator of the offense that changed his life.

In the near future, the Government aims to replace judges with Artificial Intelligence software, pledging to effectively automate and depoliticize the justice system. Carmen Costa, a distinguished judge, has been invited to assess this new procedure. However, when the software’s creator is found dead, she realizes her life is in danger and that she will have to fight the powerful interests that are at play in the highest echelons of the State.

Twice-orphaned Jace, a seven-year-old Albanian of Greek origin, witnesses a massacre that wipes out his entire foster family in Argyrokastron, and then falls in the hands of a bunch of ruthless gangsters who "export" children abroad for various profitable reasons (ranging from beggary to organ trade). Jace ends up in Athens, Greece, begging at street corners, exploring the secret horrors of brutal institutions for young offenders or, much later, serving obscure patrons, in an underworld where violent loss seems to be his only destiny. The movie follows Jace's inverted Odyssey in a dark universe of abuse, murder and fear, as he desperately (and silently) seeks for a "family" of his own or, at least, for a sense of belonging

In Gaza, 60-year-old fisherman Issa has been secretly in love with Siham, a widow who works at the market. One day, the discovery of an ancient phallic statue of Apollo in his fishing net changes his life. With newfound confidence, he decides to approach Siham but problems arise when authorities become involved with this mysterious and potent treasure.

A modern villa in the dry Portuguese summer landscape. The sun scorching bright high in the sky, four well-built bodies - three male, one female - hanging out by the pool, on the porch, in the bedrooms. All seem to be waiting for something, or as it soon turns out - someone. Scene by scene we are revealed the complex interpersonal relations and the most important, the relation of all the characters with the one who is being waited for. Who is that mythical person and what will happen when he finally arrives?

Toby, a cynical film director finds himself trapped in the outrageous delusions of an old Spanish shoe-maker who believes himself to be Don Quixote. In the course of their comic and increasingly surreal adventures, Toby is forced to confront the tragic repercussions of a film he made in his idealistic youth.

On one side, a bunch of crooks. On the other, two sisters. Nothing unites them except an idea: to relieve the bank account of an old man, who happens to be the sisters' father. The crooks devise a plan to gain his trust and swindle him. The sisters make plans for the last years of their father's life without neglecting the small detail of the inheritance. Each one in their own way, they all dream of the possibilities that the old man's money could bring them. But this one will not be easy prey.

The family of Ana Luisa meets at home to celebrate her father's birthday. As the guests sit around the table they will share memories of the past, in which all have a common denominator: the late Josefa, Ana Luisa's mother. Hearing the stories, Ana Luisa realizes the impact that his late mother had on their life choices and imagines what would have happened if she had followed other paths, taken other options and said what was unsaid. At the same time, an event of unknown origin causes a change in space and time, enabling people all over the world the access to parallel universes. Ana Luisa will thus have the opportunity to change the past...

A boy escaped from home, listening, crouched in the depths of his hiding place, the cries of the men who seek him. When the game passes, what remains before him is an infinite and arid plain that he must cross if he wants to get away definitively from what has made him flee. His steps will intersect with those of a pastor and, from that moment, nothing will be the same for either of them.

In a small Portuguese village in the late 1960s, a young priest sides with the population in their struggle for better living and working conditions. Following complaints from the industrialist who employs most of the village's population, the bishop decides to transfer the priest to another parish. When the people learn of his forced departure, they revolt and unite to prevent the priest from leaving the village.

Over the years, the monthly meetings of the Stew Club – a fraternity that has gathered seven long-time friends for decades – has gone from rituals of power to melancholic failure assemblies. The end would be its only worthy fate. Until a mysterious cook appears, and starts serving them magnificent feasts. The bonds of friendship are back, gluttony as a celebration of life. But there is a catch: after each dinner, a member of the brotherhood is found dead the next morning.

Here we meet Leandro, a fisherman who leads an honest life until the day he kills a man who abuses his daughter. Forced to flee, he wanders through the countryside until he is taken in by João Senteiro, the elderly leader of a gang of thieves. Leandro joins the group and tries to save money to escape to Brazil. But when the regional administrator offers a reward for the capture of the gang, Leandro's sense of justice is put to the test once again.

George, an agoraphobic young woman, cannot go more than 522 steps away from her home. One day, a personal tragedy forces her to embark on a journey from Spain to her native Portugal. Along the way, George's whole world begins to widen…

When her husband dies, Dora Rosário, a woman trapped in the dark years of the Estado Novo, begins to live only for her daughter Lisa and for the memory of her deceased husband, who accompanies her daily. However, when she discovers that her husband was not who she thought he was, Dora questions her entire past and ventures out in search of a new life. But she will soon discover that mourning will not be as easy as she wants to believe.

Exploring the issue of stolen children in Spain, the plot tracks Vera’s search for her biological son, given in adoption, thereby coming across Cora and her adoptive son Egoz.

Miranda do Corvo, 1933. Tomé, a young worker haunted by guilt over his betrayal, is chosen by his colleagues for an important mission in the union's struggle against the Estado Novo. Faced with this moral challenge, he confronts not only the real dangers of police repression, but also his own demons.


Shaken by a divorce in the 1920s, Portuguese poetess Florbela Espanca uses her writing to deal with her tumultuous relationship with men, eroticism and love.


Members of an oceanographic expedition made up of scientists and the Spanish Navy embark on the Pentonkontors ship to investigate and raise awareness of the problems of the plastic island located in the South Pacific. It's time to get to grips with the situation and the freedom of the planet. It is important to know that your habitation for military personnel is good, so that you can prepare for your habitation and survival so that you can survive your daily life at Point Nemo. A place full of mysteries and lurking dangers.

November 2019. A semi-submersible loaded with three tons of cocaine is seized off the Galician coast after having crossed the Atlantic. The captain, Nando, a promising young amateur boxer, travels accompanied by a Brazilian mechanic and a Colombian hitman. Three strangers locked up for almost a month in a claustrophobic handmade boat.

The story of Shell, one of several spy networks operating in Portugal during the Second World War. Directed by the British who operated in Portugal between 1941 and 1942, it had a plan to destroy infrastructures and act as a counterintelligence unit in case the country was invaded by the Germans.

The world is at war. While Portugal seems like an oasis by the Atlantic, its glamorous casinos and secret hideouts become the stage for a network of daring women spies, trading information that could turn the tide of the conflict.

During an eclipse in 1984, an iconic gang of armed robbers is dismantled after robbery of the Banco de Portugal. Part of the group is arrested, the other is murdered. Two members are left together. This event is the result of an anonymous call. Who denounced them? “Racing Horses” tells this gang's story, emphasizing the individual motivations that led each member to choose this way of life. As a backdrop, the bathing area of a Portugal about to enter the European Economic Community.


Aníbal Augusto Milhais The most important desire to live in peace was persecuted by the name of Portugal. The story comes from the memories of war, those stirred up during a hunt. In this quest, Millions carrying out their struggle for survival 20 years before in World War I free. At dawn on April 9, 1918, dozens of German divisions burst through the sector defended by the second division of the Portuguese Expedited Corps (CEP). In a few hours, in what would be known as the Battle of La Lys, more than 7,500 men were lost. Milhais refuses the orders of Captain and is alone, before a regiment of German soldiers, to save its affiliations. Milhais faces his biggest challenge. He is the only one of his friends.


After her family is accused of regicide, Leonor de Almeida Portugal is imprisoned in a convent for eighteen years. Incarcerated, she becomes "Alcipe" through poetry and finds love and freedom in Carlos Augusto. But her life path is marked by the earthquake of 1755 and since that day, the earth has never stopped shaking. From the end of her luxurious life in Vienna, to her flight from France, to the loss of two children, Alcipe never gives up and always rises from the ashes.
