Content from Talweg Production

Paris, 1940. German occupation forces create a new film production company, Continental, and put Alfred Greven – producer, cinephile, and opportunistic businessman – in charge. During the occupation, under Joseph Goebbels’s orders, Greven hires the best artists and technicians of French cinema to produce successful, highly entertaining films, which are also strategically devoid of propaganda. Simultaneously, he takes advantage of the confiscation of Jewish property to purchase film theaters, studios and laboratories, in order to control the whole production line. His goal: to create a European Hollywood. Among the thirty feature films thus produced under the auspices of Continental, several are, to this day, considered classics of French cinema.

It was the world's largest, most beautiful and fastest cruise ship. Built in Saint Nazaire in 1932, the "Normandie" was the pride of France. But it took only a few hours, amidst the chaos of World War Two, for this dream of grandeur to lie broken in New York harbour.

And what if rap had been the first and true manifestation of the Grand Paris? Paname, le Grand Paris du rap tells the story of an extraordinary decade, the 2010s, during which the Île-de-France region established itself as one of the main centers of rap music worldwide. From the Sexion d'Assaut to PNL, via l'Entourage, Kaaris, MHD and Fianso, we delve into the roots of this scene, drawing on its diversity, and navigating both sides of the ring road: a look back at ten years that have changed music... or that music has changed.

Using testimonies by pioneers and witnesses of the times, delve into the feverish visual culture the media generated – with far-fetched examples of canine television games, seduction manuals, aerobics class while holding a baby, among others.

"Stolen Childhood - Chronicle of Denial" - built on the testimonies of victims, magistrates, psychiatrists, and archives showing the decisive role of television in this matter, the film tells 50 years of society's responses to pedophilia.

Great filmmakers claim the artistic influence of French director Henri-Georges Clouzot (1907-1977), a master of suspense, with a unique vision of the world, who knew how to offer both great shows and subtle studies of characters. Beyond the myth of the tyrannical director, a contrasting portrait of a visionary, an agitator, an artist against the system.

Frank Capra was one of Hollywood's most popular and respected directors in the 1930s and 1940s. His best-known films include "Isn't Life Beautiful?", "The Bottom Ten Thousand" and "Arsenic and Lace". His career from poor Sicilian immigrant to successful director stands for the American dream and brings him surprisingly close to his characters. But what in his depictions of America and its everyday heroes is reality, and where does the dream begin?

In Czechoslovakia, between 1946 and 1971, the characters of two very different fairy tales interacted and enriched each other: on the one hand, the filmmakers of the Czechoslovak New Wave who, through poetic, committed and ambitious cinema, fought against the Soviet yoke with subtle irony; and, on the other, the writer Jan Procházka, who in 1968 added his voice to the popular outcry of the Prague Spring.

In the 1950s, it was in cinemas that the French people of France discovered the West Indies, these territories so distant and so little known. Most often, the images seen and comments heard reflect the clichés of the colonial mentality.