

20-year-old Marco is remarkably attuned to the suffering of people everywhere. He writes poetry but turns to drugs and drink to achieve “the forgetting”, that unconscious state that is impenetrable to his existential angst and other fears. He’s fleeing pain but above all, he’s fleeing from himself. When he goes to work for the cleaners’ cooperative at Bambin Gesù Hospital, he’s sure that this experience, the contact with sick children, will be the death of him.




Toto Riina, the formidable godfather of the Italian mafia, is believed to have ordered more than 150 murders. Having become a mythical figure, his character is shrouded in mystery. Embraced by the media and the collective imagination, his fantasized representation gradually replaced the real person behind the character. Who was the Sicilian leader of the Cosa Nostra really?

Through interviews with key figures and previously unseen period images, the story of the 1982 World Cup and the Italian national team, seen also from a private perspective, is contrasted with that of a country led by President Sandro Pertini.

Roberto Benigni's monologue dedicated to the life of St. Peter: a unique event held in the heart of Vatican City to celebrate the Jubilee.


First crushes, first kisses, fun with friends — and feuds with rivals. In the halls of Galileo Galilei Middle School, every day is full of surprises!


Italian version of the British dating show First Dates

The efforts of a special paramilitary anti-terrorism unit set up in the 1970s by a high-ranking police official, Gen. Carlo Alberto Dalla Chiesa.

Nico is a 16 year old girl who has in her head a chaos in which she can no longer orient herself, made of anxiety attacks, visions and voices that speak to her. After a hallucinatory episode, she is taken in charge by a psychiatric clinic with the diagnosis of schizophrenia and there she meets Michele, Emma and Daniel. The four boys form a group and face together a difficult, but fundamental, path towards self-knowledge and self-acceptance.

In 1937, Guglielmo Marconi’s final months are marked by conflict—between his faith in science and the dark turn of Mussolini’s Italy, between public myth and private doubt.



A group of humorists, comedians, artists, sitting around a table to comment on news, facts, curiosities of the day. At the head of the table Riccardo Rossi, conductor, moderator, referee, prompter.
