
Sixteen-year-old Lola is studying for her resits when the possibility of a semester in Germany comes up. Lola wants to go, but her family, bogged down by her elder sister's psychiatric problems, don't want her to make the trip. The lack of stability and exhaustion in the ties with her family prompt Lola to go ahead with her idea and set out to find new experiences that make her see both herself and the circumstances that surround her with different eyes.

Seattle is a love story between Iván, a pilot, and Amanda, a stewardess, through their meetings in hotels around the world.

As her cancer spreads, Noelia's ultimate decision is to return to her native Vieques, Puerto Rico, and claim her freedom to decide her own fate. She reunites with her friends and family, who are still dealing with the contamination of the U.S. Navy after 60 years of military practices.

Julia's life takes place in the bath tub. Drop by drop she will build up the courage to change the order of things.


Javier comes from the future to recover María's lost love. Together, they relive the magic of the day they met and repeat the journey they made from a sunrise in Madrid to a sunset on the Andalusian coast. Everything to get María to be the full of life girl he once fell in love with.

Isa has more than enough on her plate with two children and the household, which she manages on her own. When her husband persists with his wish for a third child, she realizes that something must change.
David comes from the future to relive, together with Nina, the day they met.

Flavia de la Fuente abandons for this time the portraits of her favorite city, San Clemente, to travel to another place and dedicate one of her works to Buenos Aires, in what promises to be the first part of a series. La ciudad y los patos portrays a typical place of Buenos Aires tourism but, as it usually happens with the films of its author, it is the times that end up giving beauty to some spaces that we all get tired of seeing, but that routine has always shown us in the same way, hurried and neglected.
Sunday afternoon at Las Heras Park. People and dogs pass by, and others enjoy while seated. It’s serene. It is a happy time. The film tries to share that afternoon under the linden trees, which are the most protective.
Ray is a gay teenage fisherman who embarks on a journey to find his mother in the Peruvian jungle, armed with little more than a photo of her in a bar in Iquitos. As he ventures into the unknown, he is forced to confront his motivations for seeking her and the harsh realities of his own life.

Jenifer is adopted, lives in Spain and has been searching her entire life for her biological mother, whom she only knows was separated after the eruption of Nevado del Ruiz in Colombia. When she turns thirty, she intensifies her investigations, which leads her to meet a mother who denies being one, several who were not allowed to be one, and other people who claim to know her.

A mysterious man offers Peter an eternal bag of gold in exchange for his shadow. A year later, Peter will only be able to recover his shadow for his soul.
For two winters, just like the fishermen that feature in the film, the director went out every morning to shoot the coast in San Clemente del Tuyú, a few meters from her house. From the copious footage, she chose fifteen days that reveal the tension and the diversity of textures, sounds and small stories that are born out of patience and attention.