Content from seriousFilm

Iggy Pop reads and recites Michel Houellebecq’s manifesto. The documentary features real people from Houellebecq’s life with the text based on their life stories.

Man is a cubical shaped figure who rectifies all bumps and humps in order to keep his desolate world flat. His confrontation with a little red ball, that loves to create gigantic holes, messes up his ideal of a perfect straight world.

Ever since she found out her husband Evert was having an affair, Foekje has been living in a hotel she cannot afford. In desperate need of money, she has a plan. The area surrounding her mother’s house is being bought by the government for large sums of money, and Foekje can collect this money by having her mother Nel sign a power of attorney. Unfortunately, Nel is a doomsday prepper who lives in her basement in anticipation of the apocalypse.

Who am I? What is real? How to live in the madness of the world? These are questions posed by six people who have had psychosis and speak openly about their experience. They have in common that they think deeply, and that at particular moments in their lives, they were under intense personal and social pressure.

Afro futuristic feature in documentary style, of which the story is partly told by archival materials: alien Xoxo experiences, while dwelling in the body of black female Ella, lack of safety and freedom during different lives and in the countries of Ghana, Curaçao, Suriname and the Netherlands

An obsessive collector (Erik Fens) creates his own scrapbook world. The film presents analyses of the collecting impulse based on Freudian theorie and Buddhism.

A new media, science-fiction video film project about the creation of the first "modular body," a living organism which functions as a series of parts, and not a closed system, dependent upon the blood of its creator to survive.

In FEAST, perpetrators, victims and their spectators become involved in a dramatic reconstruction of the Groningen HIV case. The film tells a story about power and surrender, the reversibility of truth and the desire to come home somewhere.

A journey at high altitude seen through the eyes of three mysteriously connected hikers. After their coincidental meeting we follow these three on their personal odysseys. The levels of concentration they exhibit in trying to avoid mistakes makes their experience of the overwhelming landscape even more intense.

ZAAD tells the autobiographical story of Dries Meddens. After the death of his mother, the care for Dries' bipolar father falls on his plate. He discovers how crudely and ruthlessly society and psychiatry treat patients. His father eventually dies in solitary confinement. While emptying his parent’s home, Dries discovers an old letter from his grandfather. The man appears to have led a busy, productive life. He is the founder of an internationally renowned seed breeding company and still has time to paint, write diaries and conduct intensive correspondence. Dries finds similarities between his grandfather, his father and himself. Slowly the fear grows that his father's psychiatric illness might be hereditary. Strolling through the family’s film and photo archives, with dramatic and sometimes hilarious finds, Dries tries to find answers. He also consults a psychiatrist. Together the consultations and reviewing of his archival material help Dries look at bipolarity with new eyes.

Set in a confined world outside time, East of Noon is the fable of prodigy Abdo (19) who uses music to rebel against his elders: showman Shawky (70), an eccentric showman who rules with a mix of performance and fear, and storyteller Jalala (75), who provides relief with stories of the Sea, which no one else has seen. East of Noon is a satire on the inner workings of an ailing autocracy and its inherent vulnerability to youth’s unchained vision of a better world.

An immersive initiation into the life of a Maroon community in the former Dutch colony of Suriname. Combining stories of African ancestral traditions and escaped slavery with enacted contemporary rituals, the film explores how the community’s powerful ties to the land have become endangered as industries threaten to devastate the region through deforestation and mining.

A football hooligan feels unconditional love for his club. However, being gay, he has to hide his identity in order to survive in this world that is so precious to him.

Branko dwells on the fringes of Belgrade society. Isolated and unable to sleep, he speaks to no-one. His only obsession seems to be his younger brother, whose muddy shoes, bloodstained sheets, and murky whereabouts unsettle him. As paranoia sets in, Branko realises his brother isn't the strange one. He is.

The solidarity of the North Kenyan community and the way they align with nature’s rhythm moved us. In this honest film you can see the major changes brought about by the transition from darkness to electric light. We Westerners take it all for granted and don't know it any other way, but in Kenya the "death of darkness" brings lots of expectations, hope and struggles.

We follow several cleaners in their daily battle against dirt. Floors are mopped, toilets scrubbed, a car washed, windows polished and a lawn cleared of leaves. These are everyday, unavoidable and universal forms of cleaning that play an obvious role in everyone’s life. Only here, the setting is highly specific: the car turns out to be a hearse, the lawn a cemetery and the interiors those of a crematorium. The everyday tragedy of cleaning is thus placed in relation to the fundamental tragedy of death.

Linguist-philologist Mark Janse discovers speakers of the Cappadocian language – previously assumed extinct, linguists worldwide are exhilarated at the discovery, but Janse realizes the rediscovered language is doomed to die anyway.

Left behind at an isolated boarding school, young Will quickly becomes a target for bullying. Only the friendship from a small bird brings him solace. But as the bullying worsens, Will’s means of escaping the world grow darker.

The film addresses pressing Earth-related issues as seen by a lone astronaut named Antony. The Guardian Moon symbolizes defense against the danger of space debris from above. In addition to the climate crisis, human waste, even in space, determines our fate. Antony is aware of these problems and, as he puts it, “A little waste of man, a huge pile of humanity.”

Ferry Bertholet has a fascination for the Far East. Over the past 30 years he was specialized in collecting Chinese erotic art, which is no longer to be found in China itself, where it has been banned and destroyed. As a result, Bertholet now owns a big part of this cultural heritage. His collection is one of the largest in the world. It has also dominated his life: day and night, all he thinks about is his collection. At odds with this is the realization that his collection is basically just things. This is why he is now contemplating the idea of selling everything. If all goes well, this cultural heritage will return to its country of origin. Will it be a regret or a relief?