Content from Public Service Broadcasting Trust

A film about home and belonging, tracing the filmmaker's personal journey to understand what it means to be a Muslim in India today.

A celebration of the work of singer/composer Shankar Mahadevan with interviews from various Indian celebrities.

This documentary is the first public documentation of the concept of love jihad. Filmed in Meerut following a televised moral policing event termed Operation Majnu, the film tracks the birth of a language of television news which has today become a norm of sensationalism and witch-hunts.

As the region of Barak Valley, Assam, India, is swiftly giving way to newer formations, structures, and beliefs, two siblings converse over the phone about their deserted childhood home situated in the same region while residing far from it.

Documentary about actress Sharmila Tagore. Introduced to film acting at age 13 by Satyajit Ray, Sharmila Tagore evolved into one of the most iconic actors and stars of the 60s and 70s India. straddling the worlds of classical and popular cinema with grace and poise. The Film journeys through her film career and life stories, while reflecting on her choices and resolve that made her an independent and phenomenal woman.

They set off, looking for work in far-off places, but disappeared along the way. Inspired by Shiv Kumar Batalvi’s “birha” poetry, the film traces the longing on both sides: on the part of those who are missing, and those that wait for them to return.

In the world's only deaf-mute village where silence reigns, tension mounts as Misra Khatoon approaches childbirth. The villagers surround her home and beat drums seeking a response from the newborn.

Story of the filmmaker's journey with Uma, a certified scuba diver, exploring the underwater world and the threat to coral reefs of Gulf of Mannar, India. Born in a traditional family in Tamil Nadu, 53 year old Uma, a homemaker, has been trying to bring attention to this alarming environmental issue through her paintings. It is, in fact, these corals that inspired Uma to learn how to swim, dive and paint in her 50s.

Stories of some people in Odisha, accused, ostracized and tortured for being ‘witches’, pointing to a deeper crisis.

Bajrangi Bhaijaan explores how ideas of masculinity in India are tied to Salman Khan fandom. It tries to understand what eco-blockbuster-manufactured machismo has on the Indian male already struggling with his identity in a globalized world. The story of a Salman Khan look-alike Shan Ghosh, and his two fans Balram and Bhaskar

As a call from the periphery of sanity, the film is a series of dream narratives, and accounts of spiritual possession as experienced by women 'petitioners' at the shrine of a Sufi Saint in North India.

Adoor Gopalakrishnan’s films map the history of the region from the inside. This Documentary looks at how the filmmaker dealt with human conditions at the most elemental level with a sensibility that makes his films universal in appeal.

Schizophrenia. It may be one word, but it immediately conjures up multiple connotations. Mad. Incurable. Violent. Suicidal. Chemical imbalances. Crazy. A lifelong condition. Inevitable dependency on Medicines. Dark. Terrible. 'A Drop of Sunshine' challenges these notions. It questions the mainstream view of the condition and seeks alternate ways of recovering from it. Through the powerful story of its young and gutsy protagonist, Reshma Valiappan, it seeks to give viewers a new vocabulary to address the stigmatized mental illness. The film proposes that the only treatment method that can work in Schizophrenia is one where the so-called 'patient' is encouraged and empowered to become an equal partner in the process of healing.

Lovely Villa explores the relationship between architecture, everyday life, family, desire and the idea of ‘home’. Director Rohan Shivkumar grew up in the titular apartment block, located in Borivali —an affluent coastal suburb of Mumbai. The building was designed by Charles Correa to house different communities within one edifice, as an articulation of the ideal environment for the Indian middle classes. Rohan, whose parents lived in the colony for over 40 years, explores its architecture with the aid of found materials, including old photographs and drawings, as well as personal narratives both factual and semi-fictional.

Shot in the monsoon of 2018 in the Mirya creek in Maharashtra, the film records the unfolding of fishermen and fishing processes in the village of Mirya. It seeks to highlight some of the troubled and lived realities of the fishing community in the current times in an Indian village. The film is also a deliberation on the process of production of the film itself.

The film celebrates the beauty of plural India through the genre of the road movie.

An impressionistic sketch of ‘the public’ as created by our cinema and its relationship with cinema itself.

The ten anthologies and eight long poems of the Sangam age are the oldest and most distinguished body of secular poetry extant in India, of which women poets were a very strong presence.

Vipin Vijay's Palace of the Winds is a poetic essay about that "Holy Little Box," the radio, conceived of as a ghostly transmitter of Indian cultural artifacts.

The Film is inspired by the work of Urvashi Butalia and Ritu Menon, who co-founded the first feminist publishing house in India: Kali for Women. It looks back on thirty years in publishing and focusses on the feminist politics and friendships that make this survival possible.