Content from OZÙ Productions

At her father’s request, Coline returns to her childhood bedroom to sort through her belongings. The various objects she finds remind her of childhood memories that stick to her and that she will finally accept to leave behind…

Driving along the motorway, Will loses his sense of scale. As his crippling drug addiction deepens, he struggles to unpick the sequence of events that led to his predicament, before he's lost forever.

One of Emma’s mothers is too busy; the other is too far away. One is rejected, the other idealised. Out of a trivial tension, an intimate and unsettling face-to-face confrontation suddenly arises.

In the 1990s, eight-year-old Agata leaves her Polish homeland to take a bus to Belgium by herself. Anxious about the journey, she begins to write a letter to her father who has stayed behind in Poland. When she drops her pencil and it rolls away, Agata is forced to overcome her shyness. Searching for it, she weaves her way between the rows of seats and plunges into a fantastical world inhabited by strange half-human, half-animal passengers. Agata’s perceptions transform the reality of migration into an imaginative experience of initiation.

Plunged into the warm darkness of a summer night, the streetlights of Ottignies illuminate cars floating in the air. The next morning, an hourglass-shaped crop circle appears on the Place du Centre, now a parking lot. Two teams of pelota, a local sport displaced by cars more than 30 years ago, are playing there, bringing traffic to a complete standstill.