Content from Manufaktura Productions

He considers himself a genius but the publishers refuse to print his works. He loves women but they don’t always understand him. Constantly without money and out of touch with reality. The elegant fop Daniil Yuvachov names himself Kharms- a name just as effective as his appearance. An habitué of unending literary get-togethers and a lover of scandal. Living in society he is completely separate from it. Kharms throws down a gauntlet to his time, audaciously hurling himself into the vortex of reality, just as vague and arbitrary, with the same contradictions, as represented by his spirit.

Aida, 45 years old, city hall manager in a small Southern Albanian town by the shore of Ochrid Lake has to fight against the infernal machine of a corrupt system, of which she’s a herself a part of, when her teenage son Mark becomes involved in a rape scandal that could send him to jail.

A gang of small-time criminals dream of glamor like in an American movies and plan their biggest heist - the secret room of CIA.

In a village where everyone left, Redjo stays behind, he becomes the heart of Sllupkovo. A heartwarming comedy celebrating community resilience. Everybody Calls Redjo, the village hero.

The calm and ordinary life of a forgotten village is disturbed with the arrival of three prostitutes in the village’s bar, owned by two pimp brothers. The men, despite the efforts of their wives to stop them, spend all their time in the village’s bar, spending their last money on alcohol and sex. Chaos overcomes the village school; its devotees abandon the mosque. Only two youngsters benefit from all this mayhem, by realizing their love affair, forbidden by their parents. At the end, the women start upraising. Consequently, the bar is burnt down and the village looks that it will return to normality.

Fran, a woman who has chosen to live as a man, following the tradition of Albanian “Burrnesha.” To become a mother to her orphaned niece, Fran must make a difficult decision between preserving her status as a “man” or relinquishing it to reconnect with the maternal feelings she has long suppressed. When the time comes to move forward, her niece’s choice forces Fran to confront her deepest fears: to keep the child close or to give the young girl wings to fly.