Content from Malvalanda

When Mike finds out that he has he same neurological disease as his father, he decides to enter a chain of assisted suicides, which operates under one rule: if you want to die, you must kill someone first.

An everyday conversation between Marta and her mother turns into a tragic race against the clock when Marta receives a phone call from Iván, her six-year-old son, who is on holiday in France with his father.

Ten years have gone by since Elena's six-year old son has disappeared. The last thing she heard of him was a phone call he gave her, saying that he was lost on a beach in France and couldn't find his father. Nowadays, Elena lives on this same beach and manages a restaurant. She is finally beginning to emerge from this tragic episode when she meets a French teenager who strongly reminds her of her lost son. The two of them will embark on a relationship which will sow chaos and distrust around them.

When a daughter becomes concerned about her mother's well-being in a retirement home, private investigator Romulo hires Sergio, an 83-year-old man who becomes a new resident—and a mole inside the home, who struggles to balance his assignment with becoming increasingly involved in the lives of several residents.

17 year old Alf, returns to his catholic boy's school after a year away. He no longer relates to his mates, who are popular and athletic. He finds himself drawn to Oliver, a gay pupil. In an attempt to dispel the rumours on his predisposition, he bonds with his old friends and ends up committing a crime to prove he still belongs

After 40 days, Marina finally sees the light. A coffee shop, a milkshake, a croissant, and a lot of bad blood.

María del Puy Alvarado, through her production company Malvalanda, faced the proposal to produce a documentary about the writer Antonio Muñoz Molina, in one of the programmes offered by Televisión Española to give an account of the great creators of Spanish culture and in Spanish. On this occasion, the approach to the Andalusian writer reveals a rich portrait that comes from the writer's self-reflection who, in many moments, is spurred by the interlocution of his life partner and also writer, Elvira Lindo.

An account of the life and work of genius Spanish writer Francisco Umbral (1932-2007), author of almost 200 books and more than 1000 articles; as well as an analysis of his both hieratic and strambotic public figure and certain unresolved personal enigmas in order to find an answer to what a real dandy is in this modern and convoluted times.

«La Loca y el Feminista» is a conversation with no return. A conversation about what the exercise of feminism means and the use that we give to a word that has become fashionable, also among men. A couple’s conversation about the unequal distribution of household chores,the extra burden that she assumes and his unconsciousness about what her attitude really means. He, who is a committed feminist, and she, who is going to question it based on a request that is an ultimatum: please, do not say again that you are a feminist.

In Spain, a poor country ruined by the recent Civil War (1936-39), and in the midst of Franco's dictatorship, a film school was created in Madrid in 1947, which became, almost unintentionally, a space of freedom and pure experimentation until its closure in 1976.

Inés and Julia are on holiday doing what they like most – snorkelling. Every night at eight o'clock the girls stand by their father and wait for their mother to call.

In late 2008, on the outskirts of Kiev, appears lifeless body Skobalski Anna, a girl of only 14 years old.

Carlos, a man who has a doubt, and a month before his wedding, decides to hire a gigolo to satisfy his homosexual curiosity.

Fighters is a portrait of the current realities of both the urban and rural Mexican woman. Filmed in Mexico City and the State of Zacatecas this film documents the primary circumstances, difficulties, obstacles and preoccupations that women face daily in this country. Poverty, hunger, * machismo*, mass migration, and social inequality -- these are some of the issues that are explored through their testimonies. Women from various professions, ages and social-economic statuses share their stories and their hopes for the future, and create a portrait of a Mexico where women are taking more of a central role.