Content from Luna Blue Film

In 1995, during the Angolan civil war, Nayola sets out in search of her missing husband.

During the Himalayan winter, a bear cannot fall asleep. He thinks too much and is in the doldrums. When a white monkey suggests him going to eat some honey at his aunt to change his ideas, a beautiful winter night opens upon them.

Since 9/11, the Israeli arms industries are doing bigger business than ever before. Large Israeli companies develop and test the vessels of future warfare, which is then sold worldwide by private Israeli agents, who manipulate a network of Israeli politicians and army commanders, while Israeli theoreticians explain to various foreign countries how to defeat civil and para-military resistance. All based on the extensive Israeli experience.The film reveals The Lab, which has transformed the Israeli military occupation of Gaza and the West Bank from a burden to a marketable, highly profitable, national asset.

Marseille, 1941. Despite the war, young Levilé still hopes to save his mother and sisters in Poland and organize their departure for Argentina.

For more than a decade, wildfires of unprecedented force have been devouring our lives, homes and forests at a steady pace. Each year, 350 million hectares of forest go up in smoke, the equivalent of six times the size of France. In the US, the fire season now lasts up to two months longer than a generation ago, and the surface burnt annually has multiplied by three. This film sets out on a gripping journey of investigation from Europe to the US, Canada, Brazil and Indonesia to follow the work of a global team of dedicated firefighters, scientists and fire experts as they investigate why our forests are going up in flames, and act on an unexpected discovery: if we want to save our forests, homes, health and our climate, we need to radically change our attitude towards fire and the way we fight wildfires.

This documentary tells the intimate stories of a singing group and three jazz musicians in Bulgaria as they embark on their artistic journeys.

Camille, 6 years old, puts a naive and rebellious look on her trader dad who dreams of being a Wolf of Wall Street. From easy money to contempt for the poorest, she observes with candor the excesses of a capitalist society in the midst of a crisis that will make her dear dad go from greatness to decadence...

This debut film by Alain Kassanda starts off as a process of self-examination: How well does he really know his grandparents? How true are his ideas about his birth country DR Congo, whose national identity was partly molded by the Belgian colonizers? And, by extension, how much does he know about himself? In Colette et Justin, Kassanda travels through time and his own past, in the process bringing postcolonial Congo to evocative life.

Two hundreds schoolchildren are boarders at a Catholic school in northern France

This is the story of the last two Jews in Afghanistan. All the other Jews have left a long time ago. Isaac and Zabulon live alone in the abandoned synagogue. The older of the two, the ruddy-faced Isaac, is Kabul’s sorcerer-healer. He makes cabalistic amulets, which he sells to Muslims to drive out demons from women, or from soldiers exhausted by the war. The other Jew, Zabulon, has the same Afghan customers, but sells them the wine, which he produces illegally.

After marrying a girl from his native village, Sokuro, a young Burkinabe immigrant living in Italy, tries to build a future with her despite the distance that separates their two worlds.

It takes time to grow up. And sometimes you even wonder if it’s really worth it… Then the children move slowly, at their own pace, the time to tame the world that awaits them. On the way, they ask questions and invent answers using their overflowing imagination.

Mazzy has disappeared. No one knows where she is. All her family has left of her are recordings of her beautiful voice. These are stored in the family studio. The family consists of Mike, a music producer; Dan, a sound engineer who is tired of his job; Murphy, the autistic brother who constantly wears headphones; and Lilli, the mother. They are going through difficult times, not knowing where Mazzy has gone.

When I got to Rignano, the Ghetto residents told me: "You mustn't keep any trace of our lives here in these precarious houses. This despair is not yours to display." The misery in the Ghetto is the first thing that struck me, the first thing I wanted to show.

The catastrophic floods of New York, Bangkok and New-Orleans have shed light on the extreme vulnerability of more than 130 coastal cities faced with the violence of the sea. The mega-cities are threatened by a series of unusual phenomena: a surprising subsidence of soils, an unexplained rising of the level of the sea in some parts of the world, an increase in the frequency of extreme climatic events and exponential urbanization. Considering that science is capable of anticipating dangers and of suggesting protections, why do such disasters occur so often? Can they be avoided?