Content from Logic Film

Death comes calling to an old woman, whose children rush home to see her. As she clings to life in the hope of seeing her missing daughter, the others return to their lives. Alone with his suffering mother, one son faces a terrible choice.

Bayaraa, a weather-worn muralist who once tasted glory in Europe, returns to Mongolia with only a box of paints, a rooftop tent, and his loyal stray dog. Each day he descends the wall of an abandoned factory, covering its crumbling concrete with sweeping murals of mythic Mongolian landscapes. Watching him is a sardonic balloon, at once conscience, companion, and a stroke of fable. When officials announce the factory will soon be demolished, Bayaraa becomes determined to leave behind his masterpiece. Yet the deeper battle lies within: the long-buried wound of the wife and daughter he abandoned for art.

Chuluun is a single, very rich young man who works in a mining business. One day, he accidentally meets Uranbileg in a cafe he frequents and falls madly in love. Chuluun promises in his heart that 'she must be mine only'. Unfortunately, the girl has a boyfriend, and he is Tugsoo, an artist by profession. Chuluun meets Bayar, a friend of Chuluun's team, and they go to Chuluun's house for a drink. Bayar, drunk, tells Chuluun about his Intelligence Agency project No. 029, which he is not supposed to tell anyone. That project was to create a drug that would intentionally erase people's memories, and he boasts to Chuluun about the successful completion of the project. Chuluun does not fully believe it, but after Bayar gets drunk and falls, when he looks in his bag, he finds the project's sample drugs. Evidence beyond doubt. At this time, Chuluun has a sinister thought. He takes two doses of that drug No. 029.

In this era of globalization, the film aims to show the tragic image of the relationship between humans and nature, in other words, how humans are moving away from nature and nature from humans. In particular, the deeper humans enter into technical and technological development, the more they lose their humanity, and as a result, their ethnicity, heritage, and ultimately, themselves are destroyed to the point of not being able to recognize themselves.

A feature film based on the life of a woman named Tungalag. A single woman struggling to support her two children gives her heart to her friend, who has a serious liver disease and is unable to have children, and entrusts her two children to her friend and goes to heaven.

Thinking you can hide from the karma you’ve sown?

The film aims to show the opposite of the notion that life will flourish if you go abroad. It aims to change the mindset of women who imagine that marrying a foreigner will bring them wealth, entertainment, and happiness, and shows the funny and sad events that can happen to them.