Content from Les Films du Tambour de soie

Early 20th century, in the Ughetto family's home village, Ughettera, Northern Italy. Life in the region had become very difficult and the Ughettos dreamed of a better life abroad. Legend has it that Luigi Ughetto crossed the Alps and started a new life in France, thus changing his beloved family's destiny forever. His grandson retraces their story.

Marusya is 16 and, like many Russian teenagers, is determined to end her life. Then she meets her soulmate in another millennial, Kimi. They spend a decade filming the euphoria and anxiety, the happiness and misery of their youth, muzzled by a violent and autocratic regime in the midst of a “depressed Russia”. This film is a cry from the heart, a tribute to an entire silenced generation.

A legendary garment, mass-produced, which witnessed the Industrial Revolution and clad cowboys on the western frontier, is now a fashion statement worldwide for men and women, young and old: an icon of modernity which has lasted for 150 years. With flying colors, the jeans have sailed through early marketing, the Internet, the world of collectors, the end of the Cold War, and now globalization. Their eternal popularity begs a question: Why?

A close look at Alexander the Great - from Macedonia to India. Alexander the Great has always enjoyed a unique status in history. To the Greeks and Romans, he was a hero, to the Arabs, he was a prophet, to Westerners, he is a myth. Alexander the Great Hellenized the ancient world and spread Greek civilisation single-handedly throughout, as far as the borders of India, by relentlessly pursuing his sworn enemy Darius the Great, King of Persia. But what remains today of the "real" Alexander? Of his life and environment? Through the many depictions of the hero and the archaeological traces of his triumphant conquest, this film portrays the legendary figure, who has always been, and continues to be, a great source of inspiration, even for artists of today.

An account of the last two centuries of the Anthropocene, the Age of Man. How human beings have progressed so much in such a short time through war and the selfish interests of a few, belligerent politicians and captains of industry, damaging the welfare of the majority of mankind, impoverishing the weakest, greedily devouring the limited resources of the Earth.

The story of the documentary The Sorrow and the Pity (1971), directed by Marcel Ophüls, which caused a scandal in a France still traumatized by the German occupation during World War II, because it shattered the myth, cultivated by the followers of President Charles de Gaulle (1890-1970), of a united France that had supposedly stood firm in the face of the ruthless invaders.

45,000 patients died in French psychiatric hospitals between 1939 and 1945. A single site escaped this carnage: the asylum in Saint-Alban, an isolated village in Lozère. What happened there for it to be an exception? Retracing several decades in the history of this important site of psychiatry, using precious archival films and the accounts of those who worked there, Martine Deyres answers this question and, in doing so, shows how the political courage and poetic audacity that were practised there contributed to changing medicine and society’s perception on madness. Intersecting in the crucible of this movement called “institutional psychotherapy” were members of the Resistance, artists, doctors and philosophers—including Paul Eluard, Tristan Tzara and Georges Canguilhem.

Henri Rousseau started to paint in Paris around 1880, at the age of 40. This self-taught artist was friendly with the poet Apollinaire, Robert Delaunay and Pablo Picasso, who recognized his genius, and yet his work was to remain underrated during his lifetime. However, with its dislocated compositions and profoundly dreamlike subject matter, it was to have a decisive influence on modern art, from surrealism to abstract art.

In the rehabilitation unit of an Athenian trauma hospital, victims of serious accidents struggle to walk again… or at least return to an autonomous existence. Divided between hope and acceptance, they offer us a glimpse into the depths of human condition.

Can a weapons manufacturer be tried for complicity in war crimes? For a year and a half, Alice Odiot and Sophie Nivelle-Cardinale, winners of the Albert Londres Prize, followed the progress of an investigation that could shake the impunity of the arms industry. The filmmakers captured a secret and unique legal battle in a film constructed like a thriller.

In 1910, following dramatic circumstances that led to the death of her two parents, Rose and her grandfather Hoffman find themselves trapped in a remote shack, far from the civilized world, where they must struggle for survival. Despite being only twelve years old, Rose quickly realizes that Hoffman, overwhelmed, no longer has the physical and moral resources to react, and it is up to her to find a way out. When two marmots that had escaped capture allow themselves to be tamed, Rose decides to go down to the town to present her musical act as a marmot trainer. When she returns with pockets full, Hoffman and she will go back to the world to write a new chapter in their lives.

The electric car holds the promise of a clean ecological transition. The global automotive market is focusing its efforts on competitive production, the key to which is the exploitation of the blue gold: cobalt. Cobalt is a mineral that is needed for batteries, which are mainly found in the Congo. But at what price?