Content from Kadraj Film

Bahram is a 40-year-old filmmaker who’s spent his entire career making films in Turkish-Azeri, none of which have ever been screened in Iran. His latest work, once again denied permission by the Ministry of culture, pushes him to the edge of defiance. With his sharp-tongued, Vespa-riding producer Sadaf by his side, he embarks on an underground mission to showcase his film to an Iranian audience, dodging government censors, absurd bureaucracy, and his own self- doubts.

A quiet and calm person who grew up in Germany and worked as the responsible manager in a mine transfer facility that had not been functioning for 4 years, Nasip (32) murdered his wife Sultan by strangling her, while she is asleep, but managed to conceal the incident by posturing it as a suicide. Nasip, who is afraid of killing his son İsmail (7) in his sleep at night, tries to protect him by locking his son and himself in different departments of the establishment routinely every night . Determined to commit suicide with the guilt he is experiencing, Nasip, has to find a family for his son that he can trust.

Idris, who has made a habit of coming home late, comes home early that day. He sees his wife trying to wipe the lipstick off of her lips, and at the same time, the window of the house is open in a cloudy sky. The feeling of doubt has already begun to gnaw through Idris like a bed bug.