Content from Jeonwonsa Film

A foreign city. The actress Younghee, stressed by a relationship with a married man in Korea, has given up everything, as the least courtesy she can show her sincere heart. He has said he'll join her, but she mistrusts him. She eats at an acquaintance's home and goes to a beach. She asks her friend, whom she thinks does not understand: "Is he missing me now, like I miss him?" Gangneung, Korea. A few old friends. Things are awkward, they drink, and she decides to startle them. She acts aloof, then cruel, but they like it. Left alone, Younghee goes to the beach, where things inside her heart manifest themselves, then fade like mist. How important is love in one’s life? Younghee wants to know.

In Seoul, a suicidal student meets a young woman who decides to join him in his fatal gesture. Dongsoo, an unsuccessful filmmaker, spots a beautiful young woman, who happens to be the lead actress in the film he has just seen. Their stories will cross paths thanks to their love for cinema.

While her husband is on a business trip, Gamhee meets three of her friends. She visits the first two at their homes, and the third she encounters by chance at a theater. While they make friendly conversation, as always, several currents flow independently above and below the surface of the sea.

By mistake, film director Ham Chunsu arrives in Suwon a day early. With time to kill before his lecture the next day, Chunsu stops by a restored, old palace and meets an artist named Yoon Heejung. Together, they go to Heejung's workshop to look at her paintings, have Sushi with Soju for dinner, and get close. Later, they go to another café and have more drinks with Heejung's acquaintances. When asked if he is married, Chunsu is forced to reveal the fact that he is, and Heejung gets deeply disappointed...

Iris, a woman abroad in Seoul, teaches French and English in an idiosyncratic fashion that allows her to pursue her own philosophical and personal interests. Through four encounters over a single day, Iris probes students and strangers for information about poetry, their own histories, and their relationship to their egos.

Over drinks, two friends agree to swap fond memories of their recent trips to the same seaside town. As the stories unfold in flashback, it becomes evident their accounts take place at the same time and with the same people.

A novelist visits a bookstore run by a young colleague who's been out of touch, then takes a walk with a film director and his wife. She meets an actress and tries to convince her to make a film together.

A young woman and her mother run away to the seaside town of Mohang to escape their mounting debt. The young woman begins writing a script for a short film in order to calm her nerves: There are three women named Anne, and each woman consecutively visits the seaside town of Mohang. A young woman tends to the small hotel by the Mohang foreshore owned by her parents. A certain lifeguard can be seen restlessly wandering up and down the beach that lies nearby. Each Anne stays at this small hotel, receives some assistance from the owner's daughter, and ventures onto the beach where they meet the lifeguard.

Film director, Joongrae, is preparing for his next movie but is unable to finish his script. So he pleads his friend, Changwook a production designer, to go with him on a trip even though Changwook had already made plans with his girlfriend, Moonsook, a composer. Eventually Changwook brings his girlfriend along and they all go on a trip to the west coast to visit Shinduri Beach Resort, which is covered with cherry blossoms and a flowing mist. There, Joongrae makes advances on Changwook's girlfriend, Moonsook. Already a fan of his films, Moonsook doesn't hide her interest. So later, while avoiding Changwook's eyes, the two spend a heated night together. But the next day Joongrae's face is filled with anxiety as he proposes to go back to Seoul. He and Moonsook then part awkwardly.

A South Korean art house film director is first invited to serve on the panel of a film festival, then to guest lecture at a film school.

A young poet drops his girlfriend off at her parents' house and is amazed by its size. He bumps into her father, meets her mother and sister, and they all end up spending a long day together; fueled by conversation, food and libations.

Haewon, a college student, wants to end her secret affair with her professor, Seongjun. Feeling depressed after bidding farewell to her mother who is set to immigrate to Canada the next day, Haewon seeks out Seongjun again after a long time. That day, they run into her classmates at a restaurant and their relationship gets revealed. Haewon gets more agitated and Seongjun makes an extreme suggestion to run away together… Haewon dreams often. Her dreams will be compared to her waking life, but none can be denied as being a part of her life.

An aging poet summons his estranged sons to the hotel he is staying at because he feels his death is near; meanwhile, he encounters two women staying at the hotel.

A series of interactions take place between an established film director, his estranged daughter interested in interior design, an interior designer, and others inside a multi-story commercial and residential building.

Oki, a film student, gets involved in two relationships as she navigates the advances of a fellow student and grapples with her feelings for her much older professor.

Areum sits in a small café, typing on her laptop. Around her, customers enact various dramas from their lives. Is she writing what she hears or is she hearing what's been written?

On a business trip to the Cannes Film Festival, Manhee is accused of being dishonest, and fired. A teacher named Claire goes around taking photos with a Polaroid camera. She gets to know Manhee and sympathizes with her. Claire is like a person who can see Manhee's possible future or past selves, through the mysterious power of the beach tunnel. Through taking photos, Claire has acquired the ability to look slowly at things, and to transform objects. Now, Claire goes with Manhee to the café where she was fired. We look forward to seeing Claire's power at work.

Kwon returns to Seoul from a restorative stay in the mountains. She is given a packet of letters left by Mori, who has come back from Japan to propose to her. Kwon drops and scatters the letters, all of which are undated. When she reads them, she has to make sense of the chronology.

A film director who no longer makes films arrives in Seoul to meet a close friend. When the friend doesn't show up, he wanders the city aimlessly for three days, grabbing drinks and meeting women, with each day playing out like a version of the last.

She has never lived in a high-rise apartment, and she wonders how her sister can live at this height every day. A few days ago she kind of burst in to stay with her sister, and she is now becoming re-accustomed to life in Korea. While seeming to keep a grave secret to herself, she manages life one day at a time with a sense of mindfulness. Meanwhile a certain director, some years younger than her, has asked her to join his project, and after a polite refusal, they have agreed to meet for the first time today. Downtown Seoul is filled with narrow alleys that harbor tiny old bars, and that's where they meet. As they are getting drunk, there is sudden rainfall and thunder.