Content from Insomnia Films

Greta and Bruno, her husband, struggle with grief after the disappearance of their son. Their friend Sina travels to the coast to help them sell their summer house.

In the house where several gererations used to live no one is living anymore At least apparently. Because if any one intensifies hearing and view, he can see He sees the footprints of formers inhabitants. He sees the marks of life and death in the deserted spaces He is the witness of the persistence of voices , bodies, ligths and shadows.

In the Argentinian countryside, a child's special gift gives her opportunistic guardians the idea of offering consultations with her as an animal medium in order to earn a living.

The poet Salvador Merlino didn’t live to see published April’s elegy, his last book, as he died when it was still in the printing press. His daughter Mary (72) and his son, Carlos (74), kept the parcels of copies of their father’s book stashed away for 50 years, high up, on top of a wardrobe. The curiosity of young Federico will force them to come face to face with themselves.

The journey back home has been a recurring narrative ever since humans started to tell stories. Because going back to one’s origins is always related to identity, a dilemma that never ceases to hit close to home

Abubakar is 46 years old and participates in the Zikr, a ritual dance performed by Chechen Sufi Muslims. In each Zikr, he reaches a state of ecstasy that serves as an exorcism, a form of liberation from all that his people have suffered during so many years of occupation.

Between two rains, a film that is offered as a newspaper. Rains. It is night. The rain coils like a snake in the street lanterns. A neighbor, old lady, knocks on my door. It's eleven at night. She is desperate, ask for rivotril. A few days later he dies. Someone leaves their house. Objects are loaded coldly in a truck. The death of a neighbor, a move, the skies laden with clouds, the light on things and faces, the operation of an old man, a night trip ... It rains. The trees shake and tremble underwater. Between two rains, a look at human fragility.

A couple builds a space to live. When it is finished, before inhabiting it, they invite a group of people to visit it. The invited people circulate individually through this new and empty space. They look, they walk, they talk. The film tries to rescue the effect of that experience in each one of them. So the space itself becomes an experience. What will they leave of themselves? What will they take? What will they show of the human? What is a house? What do you do with the past? The series of people who briefly inhabit that place, recently built, still free of all traces, could be thought of as infinite. The space fills and empties. The residual of that transit remains: a luminous fragility.

Tango...can also be Finnish. In Argentina we know little about this country and their culture, we usually think of them as completely different society, and yet we dont even know they have their own Tango. In my journeys through that beautiful land I found that link we share, and decided to explore it, to go and unravel the mistery behind the Finnish Tango not only as a musical or dance expression but also to find meaning of this music for this beautiful country in which I found myself interviewing musicians such as MA Numinem and Susana Rinaldi to tango lovers like Elina Lajunen who has the music in her blood, having travelled to Argentina to continue his studies of this dance, and after all this I found that despite of distance between our two contries we are more than kindred spirits.

Renata seeks refuge in the house of Virginia, her sister. Virginia lives a quiet life with her son Lucio in a provincial city and the only thing that seems to worry her are the ants that have invaded her home. Renata has nowhere to go. Virginia wants to help her and receives her; But the days pass and the drama of daily life begins to reveal the link between them, the pain of recognizing and rediscovering each other in a past that returns and takes strange forms.

A man in a small boat reaches an island on the Paraná River. He heads towards a site where there used to be a house or small village. Now there is nothing. Slight signs of something old and lost: the place where he was born. His presence allows the things in the abandoned spot to materialize: huts and tables, animals and canoes. Soon others arrive on the island: his wife, father, friends, and children. This is a meeting of the Man and his loved ones. With the dead, the birds, the river's music and his pain.

After numerous rejections, Ema's parents finally find a safe place for their daughter who has been diagnosed on the autism spectrum. In the loving community of the new primary school in the small town on the river, Ema can silently observe and explore the world at her own pace. The film gently follows Ema's small steps that evolve into magical moments.

In a working-class neighborhood, in the outskirts of a small town, a group of children is faced with a strange and terrifying incident, which will soon develop into a true epidemic: all adults have turned into “sleepy beings”. The children, petrified yet determined, try hard to keep their spirits high and not give up hope that somehow, someday, their parents will “wake up”. As this uncanny drama unfolds, the stories of the “sleepers” are uncovered through the traces of their absence. A poetic and haunting reflection on loneliness and loss, a silent cry for companionship and human touch.

A mixture of documentary and fiction as seen through the eyes of a non-participant observer, this drama presents the life of the fisherman Maldonado. After his wife Celia leaves him, we watch his lonely life in a series of cyclical everyday activities as we listen to Celia's voiceover. Although it tends to repeat itself, it reveals something new every day. We always observe a different part of the daily work of a fisherman, or see it from a different angle. This sense of conflict is heightened by contradictory motifs on-screen and in the voiceover. Words clash with images, the everyday with the extraordinary, space with time.

A family gets together for New year. Three sisters and their families who live by the river. One of them does not attend because she is still in mourning. Her sisters and her nieces try to convince her but she remains firm in her refusal.