

Every day, at Lapeyronie hospital in Montpellier, France, a psychologist and a psychiatrist treat pedophiles and child sexual offenders. Behind closed doors, hidden away from sight, they listen to their stories, help put words to acts and impulses. And they fight for basic prevention systems to be funded and put into practice.

This film revisits the career and development of Marie Trintignant through the loving and often amused eyes of her father Jean-Louis Trintignant, as well as those of the actors and directors with whom she worked.



Caroline Estremo, a nurse by profession, decided to bring her first book to the stage: "#infirmière". Instead of plunging into tragedy, she opts for humor: "I wanted to talk about it with humor, because it's more listenable for the general public. We've been on strike for years, marching in the streets, but I have the impression that people no longer hear us or see us. So I chose a different strategy: to make people laugh and make them laugh." It is thus that her one-woman show was born.

At the dawn of her thirties, director Elsa Deshors decides to reunite with her teenage friends, Natasha, Laura, and Alice, and set off on a road trip with them. Together, they let themselves be guided to places each of them loves, and intimate stories emerge from the silences between them. The road and the landscapes roll by, bound together by the strength of their friendship.


A small French village anticipates the supposed end of the world, attracting outsiders, straining the community's fabric as various eccentric personalities collide, each grappling with existential voids through unique fears and desires.
