Content from Digital Cube

Larisa is 16 and lives in a city by the sea. It's a small city, where gossip and news spread fast. It's a city where your image and influence, "manelele", money and power are all that matters. And Larisa… wants it all. And even if she doesn't have it, she fights for it. Larisa believes in herself. She knows that she deserves better. She is convinced that it's worth doing everything it takes to fulfill her dreams. And for her courage and recklessness - we love her.

John, a 35-year-old window cleaner, has dedicated his life to bringing up his 4-year-old son, Michael, after the child's mother left them soon after giving birth. When John is given only a few months left to live, he attempts to find a new, perfect family for Michael, determined to shield him from the terrible reality of the situation.

Bosnia, July 1995. Aida is a translator for the UN in the small town of Srebrenica. When the Serbian army takes over the town, her family is among the thousands of citizens looking for shelter in the UN camp. As an insider to the negotiations Aida has access to crucial information that she needs to interpret. What is at the horizon for her family and people – rescue or death? Which move should she take?

Love Building is a comedy about a camp designed to mend broken relationships. 14 couples try to break the deadlock and rebuild their love, with the help of three psychotherapists and trainers. The program lasts for 7 days and the participants go through different stages of redesigning their love lives. But the three trainers meant to assist them have problems of their own and things gradually get out of hand. In an ongoing search for the "happily ever after”, one question pops up: "Can love be fixed in seven days?”

Edy and Laura are two Bonnie and Clyde wannabees who are making their first robbery attempt, without paying attention at all at the risks involved and the potential fatal outcome.

Nelly has escaped from her wealthy and controlling family. As she dances in a strip club, she meets Markos, a small yet charismatic gangster, who helps her run away from her stepfather’s henchmen. Markos soon becomes her protector and lover. He brings her into Broadway, Athens, an abandoned entertainment complex squatted by a small community of dancers, tramps, thieves and a captive monkey. For a while, everything goes well, even when Broadway hosts a mysterious man, injured and covered with bandages, wanted dead by Athens’ most dangerous mafia. However, when Markos gets arrested and imprisoned, the newcomer will take an unexpectedly important place in the gang.

A couple of weeks after his wife Ioana dies in a car crash, drunk and alone on the night he turns 42, Alexandru receives a visit. Sebastian, a shy, younger man, has been Ioana's lover for the past five months. Sebastian has an outrageous request: he wants Alexandru to help him overcome the despair caused by Ioana's death.

Leonora Carrington, an outstanding figure of surrealism, along with Frida Kahlo, was one of Mexico's most famous painters. As the long-time partner of Max Ernst and close friend of André Breton and Jean Miró, she continually struggles with her visionary imagination, which often triggers serious psychological crises.

In the historic Donbass region of eastern Ukraine, despite the cruel war that has been raging since 2014 between the self-proclaimed People's Republics of Donetsk and Luhansk and the Ukrainian government, people try to survive in the rotten heart of chaos, where violence disguises itself as peace, propaganda becomes univocal truth and hatred reigns in the name of love.

What is the true phrase? Heart is where the home is? Home is where the heart is? Bajo (37) is Bosnian-born Swede. After 18 years he has to visit his hometown. Against his will, Sarajevo is changing him. But that does not make him less Swedish or more Bosnian, just more himself. Or simply, home is where you are.

Under the hot Greek sun, animators at an all-inclusive island resort prepare for the busy tourist season. Kalia is the group leader. Paper decorations, glossy costumes and dance shows fill the stage. As summer intensifies and the work pressure builds up, their nights become violent and Kalia's struggle is revealed in the darkness. But when the spotlights turn on again, the show must go on.

Six months after the genocide in Srebrenica and after the Peace Treaty was signed, the women still don’t know the whereabouts of their sons. Out of desperation, they organize protests and private investigations. Despite being emotionally fragile, often under-informed and lacking education, these women embody an incredible strength that overcomes all political and bureaucratic barriers. They demand their sons, the truth, and justice, and nothing can stand in their way.

Vassil (41) is a documentary film director who has not achieved the success he dreams of. He puts all his energy filming the broken relationship between a monk and his mother. Meanwhile Vassil's wife and their 14-year-old daughter take second place in his life. The director learns that the monk is in a psychiatry while his mother will have to undergo a cancer surgery. To bring them together to forgive each other is Vassil's long awaited finale of his film. He faces a dilemma to shoot "life as it is" or show human compassion and empathy.

Mircea, an old employee at the National Company of Motorways and National Roads wants to get George - his nephew - hired at the same company. The job consists of manually counting all the cars passing on the national roads for some EU statistics, but they both have different opinions about their work and eventually their friendship turns into a conflict.

After years behind bars, three young men begin to rediscover lives of aggression and excess in their raucous Roma community. Among them is Alex, a captivating figure with a disturbingly blasé attitude toward violence, women, and guilt. In this absorbing documentary, offering a rare peek into contemporary Roma culture, Alex and his fellow ex-cons reconcile the outside world with the gray-shaded areas of morality with which they all struggle.