Content from CPB Films

Biopic on Josephine Baker

Jack Manfred is an aspiring writer who to make ends meet, takes a job as a croupier. Jack remains an observer, knowing that everything in life is a gamble and that gamblers are born to lose. Inevitably, he gets sucked into the world of the casino which takes its toll on his relationships and the novel he is writing.

Jeanne writes during WW II for a French clandestine journal. She is engaged to resistant leader Victor Devère but has a love affair with the young resistant Marc Hétier. But is Marc really trustworthy?

Tells the story of the wonderful and long-lasting friendship between Jack Kerouac, Allen Ginsberg and William Burroughs that gave birth to the Beat Generation movement.

La Comédie-Française is the oldest continuous repertory company in the world, founded in Paris in the late 17th century. This is the first time a documentary film-maker has been allowed to look at all the aspects of the work of this great theatrical company. Sequences in the film include sections of plays, casting, set and costume design, administrative meetings and rehearsals and performances of four classic French plays, Don Juan by Molière, La Thebaide by Racine, La Double Inconstance by Marivaux and Occupe-toi d'Amelie by Feydeau. (Zipporah Films)

A group of friends who have known each other for many years meet at Max and Lucie's house to celebrate Lucie's birthday. When they arrive, the three guests discover Max kneeling in front of the body of his wife who has been murdered. He is sure that the police will charge him because everything accuses him. Convinced of his innocence, his friends decide to give him an alibi. But the investigation tightens around Max.

A charred body is found in Brocéliande Forest with a shocked and speechless 13-year-old boy next to it. What is he doing there? How is he involved? Two gendarmes and an unconventional child psychiatrist try to clear up the mystery.

The documentary of the Nuremberg War Trials of 21 Nazi dignitaries held after World War II.

Michale is a thirty year old woman. She works with her father in a Tel Aviv accounting office providing services to important religious institutions. She divides her time between her child, her husband, her work and the man with whom she is having an affair. When Michale learns of the tragic death of her lover, her life is shattered.

Damien and Nadia, 34, leave Paris with Chloé, their 8-year-old daughter, to settle in the provinces. Graphic designer for an events company, the first negotiated a full-time telework to follow his partner who has just been offered a position at the Rivière Research Institute where her friend and colleague Marion already works. The couple are expecting a child. But behind this new beginning hides a deaf threat that will soon implode the happiness of this seemingly perfect family.

Examines and re-evaluates the 60-year history and cultural impact of A Clockwork Orange, as a novel, movie and stage play, with the help of archival content and interviews with important creative figures.

This is a journey of friendship, an Argentinian is going to rediscover his continent while searching for his friend from Bahia. And while the work, the records and the career of this great lady of Brazilian music are well known, the starting point, the training, the first years remained till now in a vaguely legendary and imprecise blur. Thanks to many investigations that concern as many places as times, thanks to journeys back in time through the towns and regions, the film seeks the origins of Maria Bethânia’s voice and style. Helped and led by Bethânia herself, with the assistance of Caetano Veloso and Chico Buarque, the two princes of Brazilian music, along with the complicity of the great Gilberto Gil, the author is allowed to go to the first context : the North-East. In the family home in Santo Amaro, the film finally touches the childhood of Maria Bethânia – and her brother Caetano, and this mysterious point – from which the music radiates.

Rap ? Violent words, a social chronicle without complacency at a time of the politically correct and a wishywashy consensus. Twenty years after its first babblings in the popular quarters of New York, rap has imposed its presence beyond the borders. Je rap donc je suis (I Rap Therefore I Am) goes around five different towns where it meets rappers driven by the same motivation. In Paris and its suburbs, Marseille and its districts, Algiers, London or Berlin, rappers move, play, record, teach... And above all, they talk. Outside of any promotional context, the present-day heralds of French hip-hop, from La Rumeur to IAM, speak about the role of rap, the environment in which it was born, boredom, the feeling of belonging to a sacrificed generation, drugs in districts of towns, immigration, parents, political and social actors, the police, school, writing, money, the parallel economy, violence...

How Johanna Maria Magdalena Ritschel became Magda Goebbels (1901-1945), wife of the notorious and sinister Propaganda Minister, Joseph Goebbels (1897-1945), and the true First Lady of the Third Reich…

A French documentary on Superman actor Christopher Reeve as told by his French voice dubbing actor, Pierre Arditi.

Christophe Perrin, a renowned oyster farmer in Arcachon Bay, is the victim of a murder attempt. His three daughters rush to his bedside, where he lies wounded and unable to manage L'Héritage, the family oyster farm.

Vincent Verner is a former cop who was fired from the police force for refusing to turn a blind eye to an investigation involving a powerful man. A young prosecutor comes to get him to join a new group in charge of investigating "delicate" cases, those that no one dares to summon: men and women of power, politics, finance, the media, the star system, lobbies, consortiums, and the bosses of large companies. Verner, a maverick with an aversion to lying, will apply his own methods.

Murders in... is a collection of French-Belgian police TV movies taking place each time in a different French city and region.

Based on the Academy Award nominated film by EMILIA PÉREZ’s director Jacques Audiard, A PROPHET is a visceral, riveting crime drama about a young African immigrant's rise to power in Marseille’s brutal underworld.

Paul Vilar, a former officer in the Special Forces, is a specialist in survival and extreme sports. Separated from his wife, he hopes to get closer to his 17-year-old daughter, Sarah, while hiking in the mountains. However, things are not going to work out as he had planned.

Eighteen-year-old Laetitia has disappeared. Police quickly arrest Tony Meilhon but investigators still can’t find the body. This story follows the repercussions for Laetitia’s family and twin sister Jessica; the police force inner workings and social services; the judicial system and government itself.

This journey through time retraces fourteen centuries of a rich shared history between Jews and Muslims. A story of great historical rigor, without concessions or bias, driven by fluid and inspired realization.

Returning to Paris after exile from Hollywood, Judith is intent of making a comeback with a new movie. However, her 16-year-old daughter falls in love with her much older dance teacher and Judith is forced to deal with personal ambition, maternal anxiety and the demons of her past with humor and disillusion.

Often forgotten, and rarely punished, the lies of those in power always achieve their goals: THEY CHANGE THE COURSE OF HISTORY Who are the liars? Heads of state, politicians or military leaders, supported by their hierarchies. They have no qualms about lying to the radio, to television, to millions of people, end even, on oath, to the highest authorities and institutions. They use secret services, military strategy or communications agencies to make their lies more credible. The only motto is: «the bigger the lie, the more it will be believed!» In affairs of state, all and every means can be used to certify or conceal an operation. Lies are not just a matter of words, or of silence. They entail practical acts as well as technical support. Whole teams are sometimes necessary to construct believable illusions. In the service of a nation, lying just means reinventing the world.

TV documentary filmmaker Nicholas Fraser investigates the threat of race hatred by talking to French fascists, Italian supporters of Mussolini, neo-Nazis in Germany, and those who deny the existence of the Holocaust.