Content from École Cantonale d'Art de Lausanne

Despite his marginal and extrovert looks, Jérémie is a shy teenager who keeps a heavy secret: his homosexuality. While trying to find his way between his classmate and sexual fantasy Damien and his very generous but protective mother Gina, his life is about to change.

In a moment of anger in a grocery store in Lausanne, a father loses patience and disciplines his disobedient child. A shocked customer immediately intervenes to express her concern. Other customers join the conversation and the discussion soon turns into a debate that gradually gets out of hand.

A man loses his senses one by one. First he loses the instinct to own property, then his balance - so he can no longer walk - then his sight, then his touch... At the same time, he wants to go to China and become an "exote": a person who finds that the most exotic of countries is the one in which he was born. Based on Étienne Bonnot de Condillac's “Traité des sensations“ and Victor Segalen's “Essai sur l'exotisme“.

Two imprisoned brothers, with no dreams or realities, seek a bit of air to breathe. What must die suffocates. What wishes to live hopes. A tunnel opens in front of them. They fall into it, sink into it, forget themselves. A light envelops them, then eternity.

A country house in the evening. A couple returns home to find a bailiff inside, busy taking inventory.

At dawn, in a great classical dance conservatory, a boy falls while rehearsing some movements. Something breaks in his foot, causing sharp pain. But it's exams day and the boy refuses to quit: he tries to face his dance partner and classmates, convincing himself his body has no limits.

Matteo is a 17-year-old boy who comes to the realization that he is in love with Don Massimo, a young priest of the village that leads the marching band in which Matteo plays the drum. He sees in Massimo a person willing to listen to his fears and desires. For the first time in his life, Matteo feels ready to open up to someone...

Somewhere, in the middle of fields, lives a scarecrow named Gustave. He is hardly a simple inert figure! Don't be fooled! Gustave is very much alive! He even dreams of changing his life. Who knows? His destiny is in the hands of human gods!

Philippe, a depressed young man, feels quite oppressed in his flat since his roommate has a new girlfriend. Irritated by her, Philippe destroys the fondue they were supposed to share. He finds himself wandering around the city, looking for someone to share his solitude. His nocturnal encounters will lead him to accept himself as he is.

Looking for a flat to rent, Benoit is staying temporarily at a hotel. Having seen that flats are more easily rented to couples than singles, Benoit comes up with the plan to have Jeanne, his neighbour, act as his girlfriend. Through this role play, Benoit will fall under the charm of this young lady who is keen on horse betting, and will let himself be led into an amorous bet that will ruin him.

A permission, an eternal return, it is in this suspended context, out of space and time, that the gathering of three young men happens, under the bright and suffocating lights of the bank district and the luxury boutiques of the city of Geneva, a symbol of a cold and radical social cleavage. Between masculinity, violence and ethic, everything seems to be made in order for the friends to deconstruct the universe, alone, at the top of the world.

After their house burns down, 18-year-old Sofia and her mother Carla have to live together in a small room at The Little Swallow Hotel. Sofia explores the building and meets new inspiring people. A thousand opportunities seem to open up for her. Carla, on the other hand, has to get used to the idea of her daughter leaving. In this closed-door environment, mother and daughter try to find a new balance in their relationship.

Men in disguise arrive at a square where the last survivors of Carnival are ending a night of excess in style. Daybreak approaches. Véronique, Xavier, and Jochen may well get their wings burned...

Two young boys have stolen some expensive scarves and are being pursued. To get out of town, they hijack a young lady’s vehicle. She ends up following them as they flee.

What remains of a mother after years of domestic violence? What remains of her body, her dignity and her strength? Surely words, memory and a few dance steps that can still be passed down.

Two-part performance series, developed, performed, and recorded on film on 11 March 2014 at the ECAL, Lausanne.

Facing exorbitant fees for sessions with his therapist, Rodrigo Muñoz finds a great economical use of resources in this self–dramatization which portrays the account of his depression. In confronting the pecuniary dimension of the day-to-day, Rodrigo ironically seizes upon film as a process of emancipation.

Two men meet for a blind date in a dark apartment, according to an agreed arrangement. The lights come back on, Lucien and Anton confront their differences... On edge, a new scenario emerges.