Content from bambú|audiovisual

A woman is recruited to a prison controlled by organized crime while another woman searches for her missing daughter. Through images that submerges us in a journey from north to south Mexico, both testimonies collide and take us to the center of a storm: a country where violence has taken control of our lives, our desires and our dreams.

Eve, a young chambermaid at a luxurious Mexico City hotel, confronts the monotony of long workdays with quiet examinations of forgotten belongings and budding friendships that nourish her newfound and determined dream for a better life.

The male chauvinistic society submits women, alienates, exploits and assassinates them.

When victims who have suffered those crimes, turn to justice in order to reconstruct their lives and their dignity, they are invariably confronted with a complex framework of political and economic interests operating against them, generating oftentimes insurmountable obstacles. In their efforts, they discover that principles such as Universal Justice may be their only path to overcome these obstacles or to accelerate judicial processes. The story repeats itself at different moments, in different places around the globe, under the same sun.

Fabiola, 38 weeks pregnant, is leading her U16 boys' basketball team in the Mexico City finals. As the game heats up, her water breaks, leaving everyone wondering what will happen next.

Three men struggling to survive their spatial and temporal limits in front of and within a witness: the mountain.

Chilo and Omar seem to be the only two men on earth. They live on a solitary beach and their constant activity is fishing to survive. Their friendship, surrounded by sensuality, becomes a kind of a love story. Through their conversations and their relationship, the film explores and portraits human condition.

The existence of a lonely figure in Mexico City is slipped uncontrollably throughout bodies every so often, making his essence travel through bodies of men and women. Boredom and hopelessness of this being are faced by the love for Luisa and the need to be with her. He starts a struggle to communicate that love via different faces and bodies until he may be with her in spite of his condition.

Luz de Luna became a truck driver to escape a violent marriage. On the road, she faces labor exploitation and various forms of violence that often make her question her path. Alongside her, other truck drivers seek comfort and strength at rest stops and makeshift diners along the Mexican highways, all striving to keep moving forward.

What gifts have the gods given us, and how might we use them to weave a community? In San Pedro Amuzgos, Oaxaca, the director’s reflections and questions invite us into his world, where we learn the story of three threads in the communal loom: Lorenzo, Donato and Zoila.

A poetic, tender road movie, A Secret World follows tormented teenager Maria as she makes her way through Mexico seeking her place in life. The film focuses on the pleasant beauty of the landscape and the eccentric, endearing personality of Maria as she comes into her own. Gorgeously filmed, this lyrical coming-of-age story doubles as a wistful hymn to a young woman’s self-discovery.

Mayan Poetry is a Mayan-language hip-hop group formed by Joel Tuz Kauil and Carlos Caamal Tun. In order to get funds to keep writing music for their Indigenous community, they will participate in a contest. Through lyrics and music, the things they enjoy the most, Mayan Poetry insists in keeping alive the tradition and legacy of the Mayan culture. Upon facing money problems, they must choose if they continue doing music, or not.

The film tells the story of Mauricio Fernandez, mayor of the wealthiest municipality in Latin America, located in the North of Mexico. He presents himself as a polemical figure who takes justice into his own hands in order to "clean" his municipality of the drug cartels' presence. Mauricio is a key character to better understand the present situation in Mexico and through the unusual views of this politician, the audience will be a privileged witnesses of an scenario where political tasks and excessive violence mingle with one another.

Julien, a young french comedian, disembarks in Chacahua, a fishing community in Mexico's pacific coast.

Mary travels from Honduras to the United States looking for her son, a migrant kidnapped in Mexico. Francisco, the dean of the Pesh community, fights against the extinction of the tropical forest. Both struggle against disappearance.

In the privacy of her bathroom, Paulina undresses, removes makeup. It is through their social networks that they give us an account of the tragedy that they are experiencing.

In the state of Guerrero, México, activists Coni, Juan and Mario rebel against impunity, regardless of the sacrifices and risks - even mortal - that their struggles involve.

For three years, director Kyzza Terrazas has followed over thirty people from all over Mexico to explore the underground hip-hop movement in Latin America. Using rhythm and creative language, rappers such as Serko Fu, Rabia Rivera, Tino El Pingüino, Aczino & Mike Díaz have found ways to express themselves with transformative words that help them survive in a country with so little opportunity.