Content from المؤسسة العامة للسينما

The film follows three Palestinian refugees brought together by dispossession and hope for a better future. Hiding in the tank of a truck, the men attempt to make their way across the border into Kuwait, the "promised land."

A girl and her boyfriend are swindlers who have successfully carried out previous frauds. When they find out that their neighbor has an amount of money that he is safekeeping for a friend, they devise a plan to swindle him.

On the eve of the Israeli attack on Egypt in 1956, Israel declares martial law in all the occupied Arab territories without any previous notice. When the villagers of Kafr Kassem returned home from the fields, they were butchered and killed in what is known today as the massacre of “Kafr Kassem”.

Mona and her friend Suheir travel to Syria to meet her fiancé. Mona's father requests the son of his friend Kamal residing in Syria to take care of his daughter Mona there, so he goes to her to meet and care for her so he gets to know Suhair and admire her. On the other side, events escalate as Salwa (to his heart), a client of a foreign country, tries to win over Dr. Khairat, the nuclear energy scientist, and tries to persuade him to go abroad again so that his country does not benefit from his knowledge.

Three Palestinian men strive to escape the hardships of life in a refugee camp. Under the scorching sun, the men enlist the help of an old man, Abu Al-Khaizuran, to smuggle them in an empty water tank across the desert.

An introverted former broadcaster chooses to detach himself from the overwhelming situation his country is going through, but the news of his daughter getting besieged in Aleppo break through his shield. A portrayal of the fragile and voluntary detachment as a coping mechanism with war and trauma.

In the destroyed city of Quneitra is the grave of a resistance fighter for Palestine. His son, the director, tries to restore the dead man's history by mixing echoes of his mother's memory and his desire to give his father a more honorable death. Through the daily lives, dreams, fears, and hopes of its citizens, Malas chronicles his hometown Quneitra in the Golan Heights between 1936, the year of the first revolts against the British and Zionists in Palestine until the year of the city's destruction. He seeks to exorcise a feeling of shame and humiliation that long accompanied the image of his father and also his town, occupied by Israelis in 1967.

As an elderly man on his deathbed looks to give his name to one of his newborn grandsons, he's unable to acknowledge any of them. The three boys grow up with no name in the Syrian mountains, as they struggle to survive in a war-torn country.

Azmi, a legal adviser refuses to sign the budget of the celebration of a project as it's twice what was spent on the project itself. He gets fired from his work, and decides to write a comprehensive report of all the daily atrocities in the hope of presenting it to higher authorities.

Set in Syria in the early 1900s. A peasant has his land taken from him by the authorities. He gets imprisoned and beaten by the gendarme, but manages to escape to the mountains where starts a bloody struggle for revolution.

When Zuhair is forcibly absent for ten years, Amer dedicates himself to the wife of his absentee friend and his daughter. But things take a surprising turn when Zuhair returns after a long absence, as Amer begins to wonder about his own fate.

Dib moves with his younger brother and their mother from his home town of Quneitra to Damascus after the death of his father. The children’s grandfather, who was known for his tyranny, reluctantly agrees to shelter the grieving family, and tries to force his daughter to marry again. The magic of the city of Damascus takes over the conscience. Dib, whose main concern has become discovering all the secrets of this city, is driven by his heart full of dreams, but he sees nothing in his life except humiliation and cruelty. The fragrance of childhood dies in Dib's heart, as he grows up in light of the political fluctuations that prevailed in the fifties (the end of the military dictatorship in Syria at that time, the nationalization of the Suez Canal, Nasser’s rise to power in Cairo, and Egyptian-Syrian unity in 1958), so that his rosy childhood dreams were shattered on the rocks of cruelty and violence. The city's dreams turn into a nightmare..

A struggling young man abandons country life to work as a truck driver's assistant. His ambition drives him to be a driver himself, and lives a conflict that tears him apart between his love for a girl from his village, and his gratitude to his teacher who hopes to marry him to his daughter. We see the conflict that rages between truck drivers demanding wage increases on the one hand, and the employer on the other. The film depicts the harsh experiences that the hero goes through and learns through them the enormity of the individual battle in life.

The Yazerli is the foreman who provides work to day laborers. The film’s poetic, non-narrative structure simulates the fractured thoughts of a young boy who is forced to leave school and find work on the docks. Using minimal dialogue but evocative music and sounds, separate vignettes introduce characters the boy encounters in a single workday. The filmmaker explores the child’s vivid imaginary world while tangibly conveying the physical harshness and repressed sexuality of a life spent in poverty and manual labor. Based on a novella by Hanna Mina.

In 1997, A student in a middle school challenges the teacher of military education, as a result of which he is subjected to a severe punishment. The student plans to take revenge on the teacher of military education, while they are on a school trip in a remote rural area. Will the student's plan succeed or will his plan turn against him?

The story follows Abu Jad who encounters the woman Nahla, who suffers from her husband's injustice after he joins the Muslim Brotherhood at the time, as she refuses to be a witness to the crimes he commits. Abu Jad clashes with him because of their different mindsets.

In his debut feature film, director Muhammad explores the inexorable dissolution of a family, ironically during the planning of a wedding, the kind of ritual that ought to bond family members together in shared joy. The film exposes the divisive dynamics of patriarchal oppression, and the terrible connections between familial and sociopolitical violence.

After a Syrian man who has lived for a long time in the West learns that he is ill, he resolves to return to his homeland; however, he returns to find that strangers have taken over his home, and due to the chaos of war, his fate becomes intertwined with theirs.

A compelling and profound story that explores the resilience of the human spirit in times of crises and wars.

A short film about post-crisis Syria through the obsessions of a pregnant woman haunted by nightmares about deformed children in the destruction.